What part of Atlanta is Future from

What part of Atlanta is Future from

What part of Atlanta is Future from?

Navyadius DeMun Wilburn was born on November 20, 1983, in Atlanta, Georgia, the United States is famous for his name of stage Future. He is an American rapper, singer, songwriter, and record producer. He first became involved in music as part of the Dungeon Family collective, where he was nicknamed "the Future". After amassing a series of mixtapes between 2010 and 2011, Future signed a major record label deal with Epic Records and Rocko's A1 Recordings, which helped launch Future's own label imprint, Freebandz. He subsequently released his debut album, Pluto, in April 2012 to positive reviews. Future's second album, Honest, was released in April 2014, surpassing his debut on the album charts.

He is also known for his other names like Meathead, Navyadius Cash, Future Hendrix, Caeser Lee. He was working from 2003 to now. His partner was Ciara who was his ex-fiancee. Between late 2014 and early 2015, he released a trio of mixtapes to critical praise: Monster (2014), Beast Mode (2015), and 56 Nights (2015). His next releases, DS2 (2015), What a Time to Be Alive (2015, in collaboration with Drake), Evol (2016), Future (2017), Hndrxx (2017), The Wizrd (2019), and High Off Life (2020) all debuted at number one on the U.S. Billboard 200. Future and Hndrxx made him the first artist since 2014 to debut two albums in consecutive weeks atop of that chart. Future has also released several singles certified gold or higher by the RIAA, including "Turn On the Lights", "Move That Dope", "Fuck Up Some Commas", "Where Ya At", "Jumpman", "Low Life", "Mask Off", and "Life Is Good", with the latter becoming his highest-charting single, and included on his eighth studio album, High Off Life.


The rapper Future is from Atlanta, Georgia — the Kirkwood section, to be exact. He was born Nayvadius Cash on November 20, 1983, and while he got his start as a battle rapper called Meathead of Da Connect, he soon adopted the name Future, which was given to him by G-Rock, a member of the Atlanta hip-hop collective the Dungeon Family. In G-Rock’s estimation, Cash was “the future of rap,” and given that Nayvadius’ cousin was Rico Wade, the producer behind much of the Dungeon Family’s material, he had additional encouragement from a guy who knows the business. Beginning in 2010, Future released a string of mixtapes, and following a deal with Epic Records, he dropped his debut album, “Pluto,” in April 2012. It was a major hit, and it set the stage for his sophomore effort, “Honest,” due out in April 2014. Future is from Atlanta, a hip-hop mecca that’s given the world the likes of Outkast and T.I. Then again, the question isn’t “where is Future from?” but rather “where is the rapper Future going?” That’s because the MC has been everywhere in 2014, and “Move That Dope,” featuring Pharrell and Pusha T. has gotten the buzz going for “Honest.” What’s more, the Future is engaged to the R&B singer Ciara, who’s pregnant with his fourth child particularly since he dropped the 2011 cut “Tony Montana,” His “Streetz Calling” mixtape, released shortly after he signed to Epic, further cemented his status as a rising rapper and singer, and once “Pluto” dropped, it spawned four hit singles: “Magic,” “Same Damn Time,” “Neva End,” and “Turn On the Lights,” which reached No. 2 on the R&B/Hip-Hop Songs chart.


Atlanta’s rap astronaut has landed his biggest ever annual paycheck. Digital streams sent Future’s haul skyrocketing to $23 million–and the No. 10 spots on our annual Hip-Hop Cash Kings ranking of highest-paid rappers. His deep discography notched some 1.2 billion on-demand video streams during our scoring period making him the most-watched rapper in those 12 months; hits such as “Mask Off” have been viewed some 161.4 million times on YouTube. His 2.8 billion on-demand audio streams in the same time frame were bested only by Drake, who notched approximately 6.8 billion digital spins. By capitalizing on listeners’ voracious appetite online, Future has marked himself a streaming spearhead. In February, he defied the traditional break between album releases by putting out two records within a week of each other, scoring back-to-back No. 1 debut. He became the first act in the history of the Billboard 200 to do so in successive weeks and the first to knock himself off the top of the albums chart since 1968.  

Thanks largely to money made through streaming, nearly half of that career-best payday comes from music, making his sonic salary second only to Drake (No 2; $94 million) among list members. Unlike the majority of Hip-Hop Cash Kings, who rely on hitting the road to bank big, Future’s 70-odd live shows in our June 2016 through June 2017 scoring period composed just 30% of his total.

Future is among the artists heralding a new musical era in which rap rules streaming’s burgeoning economy. Across genres, more than half of the top 15 musicians in total on-demand streams during our June 2016 through June 2017 scoring period were hip-hop acts; many of the rest are closely associated.


The Atlanta rapper—who came onto the music scene in 2010 and has produced six studio albums, 12 mixtapes, 61 singles, and 33 music videos since then—could indeed be ushering in a new era of music: a maddened, frantic new time for the industry in which being prolific pays off more than anything else. It’d seem the rapper’s penchant for excess, coupled with the quality of his two albums themselves, led to this shining moment; as Pitchfork observed last month: “Nonstop motion and overindulgence are in his DNA.” Future, like fellow streaming aficionado Chance the Rapper has drawn a massive audience from streaming who can listen to all his output at no extra cost to themselves. (In its first week out, FUTURE‘s songs were streamed 109 million times, meaning they counted for 73,000 “streaming-equivalent units,” compared to 67,000 album sales and “track-equivalent units.”) Album sales are on their way out, anyway. By tallying music streams against album and song sales—however, contested the exact ratios might be within the industry—Billboard’s charts are giving new power to a rising set of prolific, streaming-focused artists unconfined by traditional timelines. It becomes odd, if necessary, way of calculating charts because it means people who pay the most for an artist’s music count for the least when sales are tallied.


The Atlanta rap god Future, like other gods before him, is known by many names. He was born Nayvadius Wilburn into a family of street hustlers going back at least two ­generations. As a kid, he picked up the ­moniker Meathead, both for his oversize dome and, later, his general gangster ­toughness. When he began rapping in his teens at his cousin Rico Wade’s Dungeon studio -- where OutKast was busy ­reinventing hip-hop -- he was given the name Future (as in “the future of music,” which is kind of ­mind-blowing, coming from placemaking tunes like “So Fresh, So Clean”). And to his friends, he’s mostly known as Pluto, which is all at once the title of his 2012 major-label debut, a metaphor for ­getting supremely high and a symbol of the scale of his ambitions. “I’m the astronaut kid,” he says, impassive behind a pair of ever-present sunglasses. “At the end of the day, I’m out of here -- above anything.” But on this late-February afternoon, as he kicks back by a Miami pool with the sky turning pink and a balmy breeze rustling the palms, another nickname is foremost on the 33-year-old MC’s mind. Pulling from a tightly rolled blunt, he waxes philosophical about his latest, greatest success: two new LPs, Future and HNDRXX, whose titles together makeup what might be his favorite way of ­referring to himself. As he sees it, calling ­himself Future Hendrix connects him to Jimi’s cosmic style, creativity, and breakthrough ­success as a black artist in the primarily white world of rock’n’roll. “The music I make, I’m ­different,” he says, rocking a Balmain denim jacket with enough silver spangling woven through it to make Axl Rose jealous. “The melodies I come up with, they’re not normal. Every black person wasn’t playing the guitar - Hendrix did something special.”


Hip-hop dominates the Billboard album chart once again, as Future reaches No. 1 with “High Off Life,” the seventh time in the last three months a rap album has held the top spot.“High Off Life,” with guest spots by Drake, DaBaby, Lil Uzi Vert and Travis Scott had the equivalent of 153,000 album sales in the United States, including 186 million streams, according to Nielsen Music. It also moved 16,000 copies as a complete package, with help from merchandise bundles on Future’s website.“High Off Life” is Future’s seventh No. 1 album — the Atlanta rapper’s previous times at the perch have included “The Wizard” in 2019, his back-to-back chart-toppers “Future” and “Hndrxx” in 2017 and “What a Time to Be Alive,” his 2015 mixtape with Drake. For the last 12 weeks, the only non-hip-hop titles to reach No. 1 have been “Here and Now,” by the country singer Kenny Chesney, and “After Hours,” by the R&B-pop star the Weekend, which held the top slot four times in a row.


1. Future dated Steve Harvey's stepdaughter, Lori Harvey.

Future and socialite Lori began dating at the end of 2019, following Lori's split from Diddy. The pair confirmed their romance in the new year with numerous loved-up photos, before splitting in the summer of 2020. Picture: Getty/Instagram.

2. How many children, does Future have?

Future currently has six children by six different mothers. He pays lots of child support! He has sons with Ciara, Jessica Smith, and Brittni - and has a daughter with India J. Another woman called Joie Chavis is currently pregnant with his next child, while another woman called Eliza Reign is also claiming she's pregnant with his 6th child.

3. What is Future's real name?

Its Nayvadius Cash! He was actually born with the name Nayvadius Wilburn but later had his name legally changed.

4. How did Future get his big break?

Future started his career as a songwriter, penning hooks for fellow Atlanta artists such as Ludacris. However, his big break came in 2011 when he wrote YC's hit single 'Racks'. The song took off, with major artists such as Lil Wayne, Wiz Khalifa, and Nelly choosing to remix the anthem.

5. Future's fans are known as the 'Future Hive'.

Future fans have played on Beyonce's famous 'BeyHive' following to create their own group. They are very passionate about social media, especially Twitter, and proclaim their allegiance to Future with memes of his face on everyone from Barack Obama to Jesus.

6. Future was engaged to Ciara.

Future was engaged to Ciara and had a son with her called Future Zahir. However, the rapper broke off the engagement in August 2014, three months after he was born. Future told Huff Post: "I feel like 95 percent of relationships end with cheating, but I and her relationship had nothing to do with cheating... we grew apart." Picture: Getty

7. What is Future's relationship with DJ Esco?

DJ Esco is one of Future's best friends and business partners. Esco played a big part in helping Future rise to success. As the resident DJ at influential Atlanta strip club 'Magic City', he used to play lots of exclusive music by Future to judge how good the songs were, using the reaction of the strippers as a guide.

8. Has Future been shot?

Yes, Future got shot in the hand when he was a teenager. He told MTV: "When I was around 14 or 15, I got into the streets heavy and I got shot in my right hand. When I got shot, I stopped playing basketball and went harder hustling."


1995 Source Awards are remembered as the night that exploded Hip-hop’s East Coast-West Coast rivalry. At the time, New York and Los Angeles, along with their surrounding regions, were the only areas considered worthy of the “Mecca of Hip-hop” label, having spent the previous decade influencing the genre’s overarching sound, along with breeding the most popular rappers alive. Essentially, every Hip-hop territory between the coasts was deemed irrelevant. During the show, Death Row’s Suge Knight and Snoop Dog traded verbal barbs with Bad Boy Records founder P. Diddy, igniting the already-bubbling beef. With all eyes focused on the battle for coastal supremacy, no one was prepared for an up-and-coming Hip-hop hot bead to announce its presence on the game’s biggest stage. Of the fifteen awards handed out that night, OutKast was the only winner not from the Coasts, with the Atlanta duo winning the award for Best New Artist. When OutKast took the stage to accept their award, the pro-New York crowd was already riled up from Suge and Snoop’s comments. Under a cascade of boos, Andre 3000 forced the majority of Hip-hop to acknowledge that they’d been sleeping on an entire region.


Rapping is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular", which is performed or chanted in a variety of ways, usually over a backing beat or musical accompaniment. Rap was used to describe talking on records as early as 1971, on Isaac Hayes' album Black Moses with track names such as "Ike's Rap", "Ike's Rap II", "Ike's Rap III", and so on. Hayes' "husky-voiced sexy spoken 'raps' became key components in his signature sound". Del the Funky Homosapien similarly states that rap was used to refer to talking in a stylistic manner in the early 1970s: "I was born in '72 ... back then what rapping meant, basically, was you trying to convey something—you're trying to convince somebody. That's what rapping is, it's in the way you talk." The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed in time to musical accompaniment. Rap being a primary ingredient of hip hop music, it is commonly associated with that genre in particular; however, the origins of rap precede hip-hop culture. The earliest precursor to modern rap is the West African griot tradition, in which "oral historians", or "praise-singers", would disseminate oral traditions and genealogies, or use their rhetorical techniques for gossip or to "praise or critique individuals."

Griot traditions connect to rap along a lineage of Black verbal reverence,[definition needed] through James Brown interacting with the crowd and the band between songs, to Muhammad Ali's verbal taunts and the poems of The Last Poets.[vague] Therefore, rap lyrics and music are part of the "Black rhetorical continuum", and aim to reuse elements of past traditions while expanding upon them through "creative use of language and rhetorical styles and strategies". The person credited with originating the style of "delivering rhymes over extensive music", that would become known as rap, was Anthony "DJ Hollywood" Holloway from Harlem, New York.


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