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FutureStarrInteresting Facts About the Scottish People
Did you know that Haggis is the national dish of Scotland? Scots also love bagpipes. They have blue eyes, too! Did you know that they are descended from three distinct ethnic groups? Learn more about Scotland in this article! You'll also learn about their national symbols and favorite foods!
Haggis is a savory dish made from the innards of a sheep and wrapped in its stomach. This Scottish delicacy is a good source of iron, fibre and carbohydrates. It's traditionally served with tatties and neeps (Scottish for potatoes and turnips). Haggis is a traditional dish served at the Burns supper, a national celebration on 25 January.
The traditional method of making haggis is to boil a sheep's stomach overnight, turn it inside out, and fill it. It is also possible to use an industrial sausage casing. Before cooking, make holes in the haggis with a fork, toothpick, or skewer. After the haggis is done cooking, tie it with kitchen thread.
Haggis is one of the world's most well-known dishes, but its origins are mysterious. It is unknown who invented it, but it may have originated in ancient times. In 423 BC, the Greek playwright Aristophanes wrote about a dish similar to haggis. The Romans may have also created haggis-like dishes.
Haggis is a traditional dish that is served on Burns Night in honor of Scottish poet Robert Burns. The traditional dish is served with potatoes, turnips, and dram. The haggis is traditionally served over a low flame, with water periodically added to make it moister.
The bagpipe is one of the most evocative sounds of Scotland, accompanying every grand event. They are the instrument of choice for buskers and musicians, and they can bring patriotic tears to the eyes of Scots living abroad. Bagpipes are a unique musical instrument that is not for the inexperienced.
While bagpipes have a distinctly Scottish sound, they actually originated in Ireland. Though the bagpipe is as iconic of Scottish culture as haggis, Irish culture has as much right to claim it as the Scots do. The Irish call their bagpipes uilleann, and the two countries share a common heritage. The Irish bagpipe is the Irish national instrument, but it is not quite the same as the Scottish version.
The Scottish bagpipe consists of three reeds, the two tenors playing the same note, and the bass playing an octave below. The reeds are split into two sections, with the second half used for tuning. Traditional reeds are made from cane, although synthetic drone reeds are now made from a plastic compound. The drones are powered by a tongue which vibrates against the reed body when air passes over it.
Bagpipes are an iconic symbol of Scottish culture and can be heard at almost every event. They are commonly played at weddings, Highland Games, sporting events, and professional ensembles. Bagpipes are a symbol of mourning and a great way to commemorate fallen heroes. They are versatile instruments that can be played by one solo piper or an entire bagpipe band.
The Scottish people are descendants of three specific groups, each with its own distinct appearance. These groups vary in height, skin color, and eye shape. Some have blue/green eyes, while others have red hair. The physical build is very similar among the three groups, though some differences are noted as well. Highlanders were generally short and lean, while Lowlanders and Orcadians were larger and more robust.
The Scottish people are related to England and Wales, though they are not one distinct group. They were divided into two different groups during the eighteenth and nineteenth centuries - Lowlanders and Highlanders. As a result, they were often antagonistic to each other. The first group to settle in Scotland came from the Low Countries after the marriage of Maud to David I in the Middle Ages. Craftsmen soon followed, and soon a brisk trade developed between Scotland and the Netherlands, a major trading hub of Europe.
The Picts, whose ancestors were warlike, inhabited the area. They were the first people to settle in Scotland, settling in the country around 300AD. The Picts were followed by the Romans, English, and Vikings. It is believed that these people merged with other groups and eventually formed the Scottish people.
The Scots have emigrated to countries all over the world. The Industrial Revolution and British Empire forced many of them to leave the country in search of work and opportunity. The Highlanders settled in major cities and the regions bordering the southern Highlands, while Lowlanders settled in the lowlands and southern lowlands. The city of Brisbane is named after a Scotsman named Thomas Brisbane.
Chicken tikka masala is widely regarded as the national dish of Britain, but does it really originate from Glasgow? According to a Pakistani-born British MP, it does and he is working to get the dish protected under the European Union's Protected Designation of Origin. Scottish MPs are backing his cause.
It is believed that the recipe for chicken tikka masala was first invented in Glasgow in the 1970s. The Ali family owned a restaurant and a customer complained about the chicken being dry, so they added a tin of tomatoes and created the classic British-Indian dish. As it developed, it evolved into the version we know today. The dish has a long and complicated history and is a perfect example of how far the cuisine of different countries can influence each other.
Chicken tikka masala is a popular Indian dish, which pairs well with rice. Many commercially prepared frozen entrees come with rice, but some people prefer flatbread to soak up the sauce. Other foods that will complement this dish include potatoes, vegetable samosas, fritters, and rice pilaf.
The recipe for chicken tikka masala has a very long history in the UK. It originated in a Scottish indian restaurant, where a customer asked for a sauce but was not given any. The waiter took the food back to the kitchen, where the chef added curry spices to a cream of tomato soup, and he returned with the chicken tikka and the tomato soup.
Unicorns are a popular symbol in Scottish culture. They are considered powerful and pure and have long been associated with Scottish identity. Today, you'll find unicorns everywhere, from festivals to souvenirs. But why are Scots so fond of unicorns? Read on to discover the origin of this unique symbol.
Before Scotland, there were many other nations that celebrated unicorns, such as the Persian, Greek, and Jewish cultures. However, no other nation has come up with a symbol so unique to Scotland. The unicorn is the country's national animal, and the lion is the unicorn's mythological enemy.
The Scottish people have long revered unicorns, and one recent example of this is the creation of a seven-foot-high sculpture of a unicorn by artist Woody Fox. This piece was part of the Crawick Multiverse in Dumfries and Galloway. In the same year, the castle of Stirling also tracked down a unicorn to let children pet it.
In ancient Celtic mythology, the unicorn was a symbol of purity, power, and untamability. Perhaps this is why the unicorn became Scotland's national animal. These mythological creatures were also associated with chivalry and dominance, which may explain why the unicorn has been associated with Scotland for so long. It is important to remember that Scotland is a nation of myth, and its unicorn is no exception.
Unicorns are common in Scotland, and you can find them on castle windows, in coats of arms, and even on the Queen's chair in St Giles' Cathedral. Unicorns are also featured on Scottish market crosses. These are beautiful pieces of artwork that have been cherished since the late Middle Ages. The originals are now housed at the Metropolitan Museum of Art in New York. In addition to being a popular symbol of prosperity, Scotland is home to the HMS Unicorn, one of the oldest warships in the world.
For creatives looking to make their mark on the world, there are a number of opportunities available across Scotland. These include the Enclave Land Art Residency, the Author International Travel Fund and the Momentum visit programme. For more information, visit the Creative Scotland Opportunities website. In addition, you can sign up for their UNFIX series, which is a virtual three-week lineup of international events.
Creative Scotland is offering an Enclave Land Art Residency, which runs from 7 November 2022. The residency will provide opportunities for artists and cultural groups to develop new work in a rural environment. The Enclave will offer artists and cultural groups the opportunity to work together in a natural environment and to develop and share new ideas. The residency will be part of the Beyond Borders co-commissioning and touring programme, which supports innovative new music, arts and culture, and encourages audience engagement.
The Creative Scotland international officer puts together a round up of international opportunities, and the Opportunities site is the main source of events, workshops and funding calls. You can search by country to find what you're looking for. You can also filter for international opportunities and see if there are any that interest you.
Beyond Borders is a co-commissioning programme run by Creative Scotland and the Arts Council of Wales, Northern Ireland. It aims to encourage cross-border collaboration and support the creation and touring of innovative new music and other cultural work. The scheme will also support projects with potential for national/international profile.
Beyond Borders is now in its fourth year and supports quality co-commissions and tours, and encourages collaboration between performers, organisations and composers. It is run by the PRS Foundation in partnership with Creative Scotland and is funded by the National Lottery's Open Project Fund. Beyond Borders has supported nine projects, including The Atlantic Arc Orchestra and 9Bach. Other projects funded by the scheme include the New Irish Jazz Orchestra and Paul Dunlea's Four Corners tour. The New Irish Jazz Orchestra performed an original jazz suite and premiered a new composition.
The programme is open to artists working in any art form. Artists taking part in the programme will have the opportunity to meet peers from other countries, while collaborating with craftsmen and designers from both regions. During the programme, artists will also get the chance to explore issues relating to demographics, displacement, globalisation and climate change.
Beyond Borders cultural Scotland opportunities include international residency programmes, and a wide range of cultural events and activities. The Summer Programme includes the Beyond Borders International Festival at Traquair House. By developing cultural and creative collaborations, artists can have a direct impact on shaping the future of Scotland. The British Council Scotland aims to champion innovative digital cultural relations for the country.
If you're a Scottish writer looking to promote your work overseas, there are several opportunities to apply for a grant. The Author International Travel Fund is a new initiative that supports Scottish authors. It offers PS1000 grants for authors who would like to go to other countries to promote their work. The fund is administered by Scottish Books International, which promotes Scottish literature around the world.
The Author International Travel Fund is a new initiative from Publishing Scotland and Scottish Books International. It supports Scottish writers who have been invited to speak at international events or participate in a conference or trade fair. The money helps cover travel expenses for Scottish writers attending prestigious events in their field. The fund is designed to boost the visibility of Scottish authors abroad, thereby increasing the opportunities available for creative Scottish authors to present their work in other countries.
Authors and writers in Dumfries & Galloway, Scotland, and other areas of the UK can apply for the funds. There are many opportunities available and the deadlines are clearly indicated. It is crucial that writers apply early and often. The deadlines for these grants are short but important, so don't miss out.
In addition to grants, the Author International Travel Fund also has a Translation Fund to support Scottish writers working abroad. Applicants should submit original work in any genre, including poetry, drama, travel writing, short fiction, and creative prose. If selected, recipients will receive PS25 per published page.
This initiative was launched at the start of the Edinburgh Arts Festival. Creative Scotland's International Officer put together a round-up of international opportunities. The Creative Scotland Opportunities site is a good resource for events, workshops, and funding calls. You can filter by international to find opportunities that match your talents.
The Momentum visit programme brings creative practitioners from all over the world to Scotland to collaborate with Scottish artists and organisations. The programme is delivered jointly by Festivals Edinburgh, the British Council and Creative Scotland and is aimed at developing new international networks and collaborative opportunities. The programme runs throughout the month of August. More than 500 international delegates have been invited to participate. They include government representatives, independent producers, curators, policymakers and more. Currently, six New Zealand arts practitioners are participating in the programme. In addition to the British Council and Creative Scotland, the City of Edinburgh Council and Event Scotland also provide financial support for the programme.
Momentum offers delegates from all over the world the chance to meet the leading creative and cultural companies in Scotland. The Edinburgh Festivals welcome more than 30,000 cultural and arts professionals every year and contribute PS313 million to the Scottish economy. This boost is due to the thousands of artists, visitors and accredited media that flock to the city each year.
The Momentum visit programme offers Scotland opportunities for New Zealand artists to showcase their work. The initiative aims to bring together artists from New Zealand, Hong Kong, and Scotland through exchanges. The new programme is also designed to help artists from these countries establish networks and collaborate with their Scottish counterparts.
Creative Scotland's new partnership with the PRS Foundation will make the Momentum Fund available to Scottish artists and organisations. The fund will enable these artists to record their music, tour and market their work in the UK. The PRS Foundation has been a strong supporter of Scotland's music industry for many years, and this new partnership aims to make the industry even more accessible to Scottish artists.
Momentum is a year-long programme that celebrates Scottish culture. This year, the year of history, heritage and archaeology is set to begin on 1 January and run until 31 December. The programme aims to build on the momentum that has already been established by previous themed years.
Creative Scotland is looking for a Director to lead the organisation. This position will require a strong track record in managing a large team and budget, as well as full accountability for delivery. Applicants should have experience managing multiple priorities and be able to build lasting relationships. In addition, candidates must be experienced in managing change.
Creative Scotland is supporting two artists through Residencies in Home. One will reside at Brodick Castle on the Isle of Arran and the other at the sub-tropical Inverewe Garden in Ross-shire. The projects will be supported with National Lottery funding. The National Trust for Scotland (NTS) is a national heritage body in Scotland. It develops major strategic plans to ensure the protection and preservation of Scotland's heritage and natural environment.
Two artists have been selected to develop new works for Residencies in Home. Each artist will be working on a unique project, with the aim of connecting local communities. In a project for artists to engage with local communities, they will create art that engages people from all walks of life. The project will be based in rural areas, with opportunities to share artistic knowledge.
The residency will last for twelve months. It aims to explore the role of community engagement in the arts and sustainability. Applicants should be interested in projects that use Scotland's natural environment to engage local communities. This is a unique opportunity for artists to develop a work that reflects the local culture and environment.
Another residency focused on a new creative project is the Solas project. This is a project funded by the National Trust for Scotland Foundation USA and is a major part of the summer events programme at Canna. This project has led to the creation of trails and contemplative spaces for visitors to enjoy. Additionally, a previous residency has resulted in a series of workshops in different crafts.
Creative Scotland has a number of opportunities available for writers. The Dr Gavin Wallace Fellowship, for instance, provides mid-career and established writers with time to develop their work. The fellowship has been established in memory of the late Dr Gavin Wallace. The fellowships are supported through Creative Scotland and the National Lottery.
The Open Fund for Individuals in Creative Scotland is one of the main funding schemes for independent artists, craftspeople and creative practitioners in Scotland. Its aims are to support innovative work by individuals, enabling them to develop new approaches and technologies to enhance their work. PS5 million of National Lottery money is available to support projects over a 24 month period.
Applications may be time-to-write or budget-based. In either case, applications can include mentoring and professional editorial input. They are especially suitable for individuals working on their first full-length creative work or who are striking out in a new direction. Creative Scotland advises that applicants follow the guidance provided by the Scottish Government and local councils when preparing their applications.
The Open Fund for Individuals in Creative Scotland is available to individuals who are interested in making music. The fund supports any genre of music making and provides grants of PS5k to PS30k. The projects funded through the fund are often sustained, and many continue to receive funding in subsequent years. The fund is available to individuals and organisations.
In the United States, the Knight Foundation sent librarians to the Next Library Conference, a global gathering of library leaders that focuses on new library ideas, services, and programs. The librarians gathered from across the world to discuss and share their innovations. Some of the innovative technologies and programs being discussed at the conference were introduced at the conference, including a chatbot powered by open source software called Snatchbot.
The Innovation in Libraries project looked at library services around the world using a design innovation approach. Senior managers from three library services and nine librarians developed ideas for new library services in Scotland. This project allowed Scottish librarians to explore a new approach to public service, and it attracted key Scottish partners. It also provided a profile that helped them travel to other countries.
The Library Innovation Lab is a nine-month program designed to empower staff to create innovative solutions for the library's mission. The participants complete a practice-based professional development course that includes virtual meetings, one-on-one advising, and hands-on experience. The participants develop new skills in programming and gain confidence in working with diverse target audiences.
PLIP training programmes also focus on developing digital skills for library representatives. Other sessions include advocacy, outreach, and service impact evaluation. This allows librarians to experiment with a variety of training models and methods. As a result, PLIP is proving to be an invaluable resource in a number of countries. However, it is important to ensure that the training programmes are tailored to the needs of local communities. They need to understand the unique needs and challenges of the target population.
Libraries have been around for almost five thousand years, and while many of us view public libraries as sombre temples filled with old-school librarians and a lack of technological innovation, the true value of these institutions cannot be underestimated. Modern libraries are adapting to the changing needs of communities and are embracing innovative technology and design to improve their services.
The Strategic Partnership with British Council will enable RIS to offer English language courses to Syrian students. The agreement will be implemented in cooperation with HOPES/HEEPS and will be funded by the British Council. In addition to the English language courses, the agreement will see the establishment of an offsite testing centre for IELTS tests.
In order to maximize the benefits of the partnership, the institutions will work with the British Council to enhance their programmes. In the UK, the British Council is the country partner for Generation Study Abroad, a UK-based international student mobility program. In a daylong training event held at Regent's University London, Cheryl Francisconi and Susan Sutton covered topics that will help organizations maximize their partnership's success. The training session was inspired by the IIE's Managing International Partnerships Training Course.
Initially, the strategic partnership between the British Council and South City International School focused on the education of SCIS students, as well as professional development of SCIS teachers. However, it has recently expanded to include younger students as well. It will now offer an Early Years English language programme for young children in the region. The aim of the partnership is to improve the educational level of people across the globe and to increase their employment opportunities.
Strategic Partnerships can be applied for by organisations in the UK and other countries involved in education and training. They can last between six and 36 months. Strategic Partnerships can involve multiple sectors, and should focus on activities that aim to enhance provision in the selected sectors or countries. They can also include adult education and learning activities.
The new collaboration with the British Council will promote bilateral and strategic higher education cooperation between partner institutions. The UK and Malaysia will work together to build partnerships and share common priorities. The partnership is an extension of the UK-Malaysia University Consortium. It will allow for the establishment of new collaborations and support the development of quality teaching and learning.
The documentary film Duthchas Home explores the impact of emigration on Gaelic culture and language. It is an emotional film that will move viewers with its heartfelt story of community and connection. If you are from the Hebrides or even if you aren't, this film is for you.
Duthchas Home is a new film about the people of North Uist. The filmmakers have used recently-discovered cine film footage and interviews to document the life on the island. The film is an emotional journey for anyone who has had a connection to the Hebrides. The film has a specially composed soundtrack by Donald Shaw, who takes inspiration from traditional Gaelic songs.
The film is made from 8mm Kodachrome film, which was developed in the 1960s and 70s. This film is produced and developed by Eilean Bhearnaraigh in the area. It has a unique quality that is not found in most other forms of film. It is a great way to keep memories alive.
Duthchas Home, a documentary about the people of the Hebrides, is a very moving film. It explores how people move away from home and the effect it can have on their language and culture. It is a film that everyone can relate to. Whether you have connections to the Hebrides or not, you should definitely see this film.
Braveheart is a 1995 film that went on to become an Oscar-winning success. The film was steeped in Scottish history and culture and evoked a strong sense of patriotism among the fifty million or so people of Scottish descent. Although numerous productions had been filmed in Scotland before, Braveheart helped establish the country as a world-class filming location.
The film's production took place on the west coast of Scotland, which has the highest precipitation levels in Europe. The area experiences approximately 150 days of rain per year. It is no wonder that the Braveheart production was plagued by rain throughout its six-week filming schedule in Scotland. While the cast was thoroughly soaked, tax breaks and the use of an army must have been attractive to the producers.
Braveheart is a 1995 American drama film directed by Mel Gibson and starring Mel Gibson. It tells the story of Sir William Wallace, a legendary Scottish knight who was a pivotal figure in Scotland's first war for independence. The screenplay was written by Randall Wallace and was based on the 15th century epic poem The Actes and Deidis of the Illustre and Vallyeant Campioun Schir William Wallace.
Braveheart was produced and distributed by 20th Century Fox and Paramount. The film is based on the life of William Wallace and was funded by a joint venture between the two companies. Although the movie is historically accurate, it has some inaccuracies. Although the cast was disciplined and avoided serious injury, the movie contains some violent scenes.
Braveheart is a highly acclaimed film. It won five Academy Awards and has grossed more than $200 million worldwide. The film is an exceptional example of a period movie. It shows the power of passion. While Mel Gibson's performance is arguably the most powerful part of the film, his directing skills have made him almost as popular as his acting skills.
A 1995 film starring Mel Gibson, Braveheart tells the story of Scottish rebel William Wallace and his fight against the English in the 13th century. It earned over $200 million at the box office and garnered five Academy Awards. The movie sparked an influx of new fans who now feel proud of their Scottish heritage.
It was also the first major film in a generation to evoke a real sense of patriotism in the 50 million people who claim Scottish ancestors. While the film was an unexpected success, the political and social implications of the story were widely discussed. The film's political content, as well as its depiction of Edward II as an effeminate homosexual, were a source of controversy.
Creative Scotland is a social media network, where you can find and follow Scottish artists. You can also follow the latest news from the country's cultural sector. Recent posts have covered a number of topics, including Artists protesting against the "deepening malaise" at the agency, Shortlists for the Creative Scotland Prize, and Exhibitions at the 58th Venice Biennale of Modern Art.
A protest by artists has taken place in Scotland against the "deepening malaise" at the Scottish arts body Creative Scotland. Artists signed an open letter condemning the agency, which is the national funding body for arts and culture. The artists accused the agency of being "patrician" and "unresponsive" to their needs.
The artists' open letter is signed by over 100 Scottish artists, including three Turner Prize winners, a Booker Prize winner and a Costa Award winner. They also include national artists like Douglas Gordon, Liz Lochhead and Sir Peter Maxwell Davies. They claim that the funding body has been damaged at its core, and they want Fiona Hyslop to "unpick" it.
The artists say the funding cuts have made it harder for the arts to thrive. The organisation has put 49 arts organisations on project-based grants instead of traditional, steady grants. They say this has harmed their development and will not allow them to thrive.
The Scottish Artists Union has proposed to write to Creative Scotland with a list of demands, including greater transparency and feedback on decisions. They also want a sustainable and effective infrastructure for artists. Finally, they call on Creative Scotland to recognise the importance of artists' work for their economy.
Creative Scotland is committed to supporting the arts and creative industries in Scotland. They have a range of funding programmes, including the Open Fund for Individuals. These funds support research, development, mentoring and continuing professional development, including business development. Creative Scotland is also launching an Open Fund for International Partnerships and Co-creation projects.
The Scottish Book Cover Award celebrates Scottish book design and production talent. The prize honours the collaborative relationship between author and designer. The winner of the prize will receive a cash prize of PS1,000 (US$1,307) and a writing retreat at Moniack Mhor. More than 180 volunteers assessed the 71 submissions. The shortlisting committee was chaired by Alex Ogilvie.
The Creative Scotland Prize has a long history. The awards' aim is to celebrate and encourage Scotland's emerging talent. The prize, which can be worth PS5,000, is voted on by a judging panel comprised of previous nominees. The winners are announced at the SAY Awards ceremony on 20 October.
The shortlist for the Creative Scotland Prize has been announced, and there are a range of categories to choose from. The prizes are given to individual artists working in Scotland. The awards have various categories, including poetry, chamber opera, sculpture, and painting. The Creative Scotland Prize is funded by the National Lottery and the Scottish Arts Council.
This year's SAY Award has introduced the Modern Scottish Classic Award and the Sound of Young Scotland Award. The winners will receive PS5,000 funding and 500 vinyl pressings of their finished recording. The awards celebrate the diverse musical talent in Scotland. Applicants who win the prize will receive a certificate of recognition, and their work will be displayed at the Creative Scotland Prize ceremony on 20 October at the Albert Halls.
The Edinburgh Art Festival is an annual visual arts festival that is held in the Scottish capital during August. It runs in conjunction with the Edinburgh International and Fringe festivals. It was founded in 2004 and is supported by Creative Scotland. The festival features contemporary art, live performances, and exhibitions by both local and international artists.
There are a variety of events during the Edinburgh Art Festival that are free to attend. There are panel discussions, workshops, and exhibitions, and one-off events that take place every day. For example, the Edinburgh College of Art is hosting a discussion on cinema as a primatology, which is open to the public. You can also enjoy live music at the Art Late South, which runs from Thursday to Saturday. And the festival is also home to an Artists Talk series, which takes place each day.
Each year, the Edinburgh Art Festival presents more than 40 exhibitions in a range of genres and mediums. The programme features major Scottish artists as well as the work of younger, emerging artists. The festival also commissions new work by leading Scottish and international artists. In addition, the Festival features new public art commissions and special events.
The Fringe Festival is the largest free arts festival in the world. It is open to all performers and has no selection committee. Anyone can enter their show, no matter how rudimentary it may be. The official Fringe Programme categorises shows into different categories, including theatre, dance, physical theatre, circus, children's shows, spoken word, and music. Comedy has the highest profile in the festival, thanks to the Edinburgh Comedy Awards.
In addition to theatre and concerts, there are opera performances and ballet performances. The first two festivals featured little in the visual arts, but in 1949, visual art became an important part of the event. The National Gallery of Scotland and the Royal Scottish Academy organized major exhibitions. Highlights in 1951 and 1952 included works by Rembrandt and Spanish painters from El Greco to Goya. There were also performances by artists such as Michael Benthall and Tyrone Guthrie.
The 58th Venice Biennale of Contemporary Art features a wide array of exhibitions across the Giardini and Arsenale, two main venues at the Biennale. Artlyst recommends some of the most noteworthy shows. For instance, a major retrospective of the work of German artist Georg Baselitz can be found in the Arsenale. The exhibition spans two venues and combines old and recent works by the painter.
Throughout the Biennale, a central theme is the general approach to creating art. The 58th Venice Biennale of Contemporary Art also looks at how art can serve a social function. Many of the works highlight the importance of pleasure and critical thinking, presenting artists whose work challenges our current habits and opens up new readings of gestures and objects.
In the Biennale, around 90 countries present pavilions. Of these countries, 86 of them have official pavilions. Other countries, such as Taiwan, occasionally stage a show, but they are not considered official pavilions. There are also several independently organized exhibitions, which are tagged as official collateral events by the Biennale.
Aside from the national pavilions, the Venice Biennale also features several major exhibitions. These exhibitions take up space in Venice's museums and galleries, and many other smaller venues. The list below includes some of the key exhibitions announced so far. For example, a large retrospective of Bruce Nauman's oeuvre, including some of his most important video works, will be in the Biennale's second half, and the Dancing Studies group will stage works by Lenio Kaklea, Pam Tanner, and other choreographers.
Personal Structures, curated by Danh Vo, features works by artists like Isamu Noguchi and Park Seo-Bo. Other highlights include the works of Italian painter Afro Basaldella, who collaborated with American artists in the mid-20th century. The exhibition focuses on the idea of reflection.
Creative Scotland offers funding to individual artists, groups and organisations who want to work on a project in Scotland. The funding is awarded to support a wide range of activities in the arts, screen and creative industries in Scotland. Individuals and organisations can apply for funding at various levels, depending on the type of project they have in mind.
The European Commission's Culture Commissioner, Mariya Gabriel, has recently announced a new mobility scheme for artists and creatives across Europe. The scheme is based on the success of the i-Portunus pilots, and the European Commission has agreed to allocate EUR21 million over three years. In the meantime, Creative Scotland has launched a new initiative to celebrate the value of art in the UK and Europe.
Creative Scotland has four funding programmes available for individual artists and creative practitioners. One of the key programmes is the Open Fund for Individuals, which has a PS5 million budget and is available to self-employed artists and creative practitioners. The programme provides financial support for artists and creative practitioners working on projects relating to the arts, and encourages partnerships between arts organisations and businesses.
The Open Fund for Individuals supports quality touring work in Scotland. It also supports partnerships between touring artists and screening programmes. The fund also supports a range of creative activity in Scotland and helps individuals and organisations explore new ways to work. However, creative practitioners should be aware that they must have a minimum PS100 annual income to apply.
The Screen Education Fund supports a variety of projects, from documentaries to feature films. The fund also helps to develop Scotland's broadcast production sector, provides opportunities for artists and filmmakers, and supports professional development nationally and internationally.
Home Creative Scotland is a website that offers a range of different activities for all ages and abilities. Every day, artists and organisations upload new activities to the website. It currently lists more than 500 different ways to get creative. These activities can include anything from dance videos and photo challenges to pottery demos and hip hop lessons.
Creative Scotland supports the artistic endeavour of its citizens. This is done by offering financial and empathetic support to artists and art workers, and by allowing them the time and space to cultivate their practice. The organisation recognises critical thinking, research and development as important skills and values, and encourages people to pursue a career in the arts. Its support is available across Scotland and opens up new opportunities for emerging artists and practitioners.
The plan sets out five strategic aims, each with their own set of priorities, to make the best use of the sector. The 3rd ambition is to transform places through creativity. This is particularly relevant in the case of public art, and focuses on fostering partnerships with communities. The development of creative infrastructure is also seen as a vital way of stimulating public engagement.
The Scottish government is committed to supporting socially conscious business ventures, and Nicola Sturgeon announced plans for this support during a visit to Cumnock. The support will include a mentoring programme from Entrepreneurial Scotland and access to the GlobalScot network. The organisation is also launching a business challenge that will connect accomplished businesspeople with candidates looking to grow their company through social enterprise.
Creative Scotland has also announced a new funding programme, with a total of PS90 million available over three years. The funding scheme will be easier to apply for as well, with an updated website. Its plans also include information sessions across the country, including in Aberdeen, Dundee and Peebles.
Creative Scotland has suffered several challenges since Janet Archer became its chief executive two years ago. The organisation lost former chief executive Andrew Dixon and its creative director, Venu Dhupa, and suffered a wave of criticism from artists and arts organizations.
The Arts in Care at Home project has a clear aim: to improve the quality of life for older people living in care homes. It includes activities such as dance, poetry and storytelling workshops. It will also involve collaborating with professional artists. The project will take place between February and May 2020. Care homes with different governance structures and sizes are encouraged to participate. The project aims to make a lasting impact on the sector.
The PiPA project is delivered in partnership with Scottish dance and theatre organisations including National Theatre Scotland, Edinburgh Festival Fringe Society and Birds of Paradise. It brings together the performing arts sector in Scotland with the care sector. Through this project, 8 performing arts organisations from Scotland have signed up to become Charter Partners and two have become Strategic Partners.
The first phase of the project involved consultation with the residents at Allachburn. The project manager was creative and open to new ideas. The arts were a valuable and positive way to promote wellbeing and create meaningful relationships between the care home residents and the artists. In addition, the projects build peer bonds and foster confidence. The project will culminate in a filmed documentary.
The Open Fund for Home Creative Scotland aims to support creative activity by self-employed individuals in Scotland for periods of up to 24 months. Applicants should list start and end dates and clearly specify what they hope to achieve. The fund is open to self-employed artists and creative practitioners from all over Scotland.
The Open Fund accepts applications of all sizes and can support collaborative work. Projects supported by the Open Fund range from simple budgets to larger, more involved budgets. They may also involve professional editorial input and mentoring. Some Open Fund recipients are working on their first full-length creative work, while others are exploring a new direction.
Applicants can apply for funding levels ranging from PS500 to PS5000. The funding level they receive will depend on the budget and the type of project. To apply, applicants must provide more information about the project and budget, which is required by Creative Scotland. For more information about funding opportunities, check out the Creative Scotland opportunities page.
The Creative Communities in Scotland programme has a range of projects for all ages, including young people, adults and older people. It aims to reduce social isolation and foster connections between communities. The Good Shepherd Centre's creativity hub has provided music tuition to young people, while the Tullochan Furniture Fix project provides young people with the opportunity to engage in challenging classroom environments and improve wellbeing. These projects have improved opportunities for young people across Scotland and may have a positive impact on their lives.
Creative Communities in Scotland were first pioneered by Wasps Artists' Studios, a Glasgow-based organisation that now provides work and studio space to over 1,000 artists and creative professionals. In recent years, Wasps has opened new facilities in the Highlands and Islands. A creative community is an excellent place for an individual or small business to grow.
The Highland Council believes the new academy will help build local economies and inspire new creative enterprises to move to the Highlands. Pete Honeyman, Subject Network Leader for Cultural and Creative Industries at the University of the Highlands and Islands, says the scheme is a welcome development for the region. The Highland Council, Scottish Government, Inverness City Heritage Trust and Robertson Northern have all contributed funding to the project.
Creative Communities is a government programme that aims to empower local communities to develop cultural activities. It will provide up to PS900,000 to support community-led activities and projects. The programme will run from November 2020 to July 2021. It will focus on improving access to culture for all ages and backgrounds.
Creative Scotland is the government agency that distributes funding to the arts and screen industries. This funding comes from the Scottish Government and the National Lottery and is aimed at local and national arts and cultural activities. For example, the Youth Music Initiative provides access to high-quality music-making opportunities for young people aged 0-25 years. We spoke with Morag Macdonald to learn more about the initiative and the correlation between music-making and future employment.
The Access Fund for Creative Scotland is a government-funded scheme that offers funding to freelance artists and creative professionals based in Scotland. Individuals can apply for this scheme if they can demonstrate a significant contribution to the cultural life of Scotland through their work. This can be in the form of direct creative outcomes or supporting roles that enable the creation and presentation of creative work. In addition, the applicant must be based in Scotland and have been working as a freelance creative professional in Scotland for at least a year prior to the closing date. Previous recipients of the fund are also eligible to re-apply if they still meet the eligibility requirements.
The Open Fund is another initiative that supports the creation of new music in Scotland. It offers grants of PS5k to PS30k for up to a year's delivery. Many of the projects funded through the Access Fund continue to receive funding for many years. However, the deadlines for applying are not set in stone, and organisations can apply in any year they want.
The Access Fund for Creative Scotland has launched a series of consultations to find out what issues and barriers disabled individuals face when applying for funding. The consultation process has been designed to find out what the most common barriers are for applicants and identify potential solutions. Creative Scotland has also produced guidance on the fund to make it as accessible as possible for those with disabilities. This guidance ensures that applicants with disabilities can request alternative formats, access support and language resources. It also offers one-to-one support with its equalities team to help applicants with any issues they may encounter.
Screen Scotland is a government-funded organisation that drives the growth and development of the Scottish film industry. Funding comes from the Scottish government and the National Lottery. Screen Scotland provides development and production funding to Scottish film companies. It also offers a film festival and screening programme fund, which encourages the development of film festivals in Scotland.
The Access Fund for Creative Scotland can help creative professionals who have experienced a postponement or cancellation of their job. While the Emergency Fund does not replace the income that has been lost, the fund can help creative freelancers who have suffered a significant financial loss as a result of the cancellation or postponement of their job. The Scottish Government has committed PS10 million for the initiative.
The Formal Fund for Creative Scotland is a grant scheme that assists organisations and individuals to develop creative business networks. These networks support peer-to-peer networking, business development and market development. To receive a grant, an applicant must create a 12-month programme that will develop a broad-based creative business network and deliver public benefit by helping creative practitioners grow.
Applicants must be a limited company or charity based in Scotland and be registered at Companies House. They should have a legal agreement in place with the lead organisation. They must demonstrate that the activity will not generate a profit. Successful organisations may be a consortia or an organisation that manages a venue.
The Open Fund for Individuals and Organisations has PS7.5 million available to support creative activity. This fund can be used to support specific creative outcomes or individual time. Applicants must be self-employed artists or organisations in Scotland and have a UK bank account. The application process can take up to twelve weeks, depending on how complicated the project is. However, applicants can submit an application for a smaller amount at any time of the year.
The Youth Music Initiative has been running since 2003 and was created following a government report on the quality of youth music making in Scotland. The report highlighted inequalities in access to music-making opportunities in Scotland. The fund's PS9 million annual budget aims to ensure that everyone can benefit from music-making.
The Arts-Based Learning Fund is another opportunity for organisations and individuals to apply for funding. This fund provides grants for arts-based learning projects in Scottish education settings. Its grants range from PS30,000 to PS400,000, and projects can last for two to three years. The Fund is made available by the Paul Hamlyn Foundation and is open to charities, businesses and individuals.
The Nurturing Talent Fund for Creative Scotland supports young people from disadvantaged backgrounds in pursuing creative projects. It supports art, music, film, and writing projects and aims to change the way people view the arts and help Scotland become a leader in young people's creativity. This year, 235 young people from all across Scotland applied for funding for their projects.
This fund was created by the National Youth Arts Advisory Group, a group of young people aged 14 to 23, which advocates for youth arts in Scotland. The Nurturing Talent Fund is open to young people from 11 to 25 years of age in Scotland and is open to groups and individuals. Individuals and organisations can apply for grants of PS50 - PS1000 to support creative projects.
To apply for funding, young people should submit an application to the Nurturing Talent Fund for Creative Scotland. The Nurturing Talent Fund has allocated PS40,000 for 2014-15, which will be split between the two year period. The application process for the Nurturing Talent Fund is available on the Creative Scotland website.
Access All Arts Fund supported 106 young people with additional support needs in performing and creating art. The Access All Arts Fund is delivered by Children in Scotland, as part of Creative Scotland's Nurturing Talent Fund and New Routes programme. The fund's first phase ended last year, but recruitment for year two will begin soon. The second phase will focus on wellbeing and the role of young people as co-designers of projects.
The fund's diverse portfolio supports a range of disciplines. The fund is particularly focused on bringing the arts to people from disadvantaged backgrounds. The projects funded under the fund range from video games to visual art. One project, the Youth Music Initiative, has PS9million to support youth music making in Scotland. The objective of the fund is to make music accessible to everyone in the country.
Whether you're trying to launch a new business, expand an existing one, or create a new one from scratch, the UK Government is here to help you succeed. You can access grants, loans, and other government support for your business. Use the Business Support Finder to discover which grants and schemes are right for you.
The Creative Scotland Business Support Finder has a range of options for you to explore. From subsidised business services to financial assistance, the Business Support Finder can help you find the right support for your business. This website also offers funding options and alternative ways to raise money for your business.
For businesses looking for government funding, you can also check out the Pivotal Enterprise Resilience Fund. This PS30 million fund is managed by VisitScotland and Creative Scotland, and is aimed at helping vulnerable SME firms that are essential to the local or national economy.
To support Scottish productions, Creative Scotland has boosted the sector's funding with a production growth fund. This will provide financial support to projects based in Scotland, as well as creating opportunities for Scottish crew and facilities. The fund comes from existing Scottish Government budgets, and will be available for two years. It's the latest initiative to boost the sector, which has seen public support grow since 2007.
The Scottish Government's commitment to more consistently include creative learning in the implementation of the curriculum aims to improve children's learning experiences and encourage a culture of respect in schools. This policy is supported by whole-school initiatives that involve children, teachers and parents.
The Scottish Government has recently declared a climate emergency and announced ambitious targets to reduce carbon emissions. This has huge implications for Scotland's future economy and will change the way institutions and businesses think. It will also affect the lives of the Scottish people. In addition to government actions, colleges and universities in Scotland are already making major contributions towards sustainability. For instance, both Glasgow and Edinburgh have made commitments to achieve net zero emissions by 2030.
NHS Scotland's strategy focuses on reducing the carbon footprint of the health system. It aims to make the health service more sustainable and carbon neutral by 2040. One example is the Balfour Hospital in Orkney, which is completely electric and has solar panels. This shows that sustainable planning is not just for the big cities and the financial sector.
As part of the Climate Emergency & Sustainability Plan, the Scottish Government is working with the cultural and creative sectors to set carbon budgets and get to net zero by 2045. This builds on progress that has been made in the sector over the past decade. The Plan was developed in collaboration with Creative Carbon Scotland and other key stakeholders in Scotland's culture and creative sector. It aims to inspire other sectors to take similar steps and become climate-neutral by 2045.
The Scottish Government's new planning framework, National Planning Framework 4, will mark a turning point in planning in Scotland. The new framework will make responding to the climate crisis and the nature crisis an integral part of planning. Moreover, the Scottish Government has committed to creating nature networks in each local authority area across Scotland, in order to increase ecological connectivity across the country.
Investing in nature is an essential part of sustainable and inclusive economic growth. In 2015, Scotland's natural capital was valued at PS273 billion. This was more than twice as much as the energy, food and drink sectors combined. The natural environment can also play a key role in implementing Just Transition Principles. It can help develop a resilient and inclusive society and low carbon infrastructure.
Investing in nature is a vital way to improve health and wellbeing. Recent research has shown that contact with nature improves physical and mental health, reduces stress levels, and boosts sleep. It has also been linked to a longer life expectancy. Additionally, communities living in greener environments have lower levels of income-related health inequality.
The state of Scotland's greenspace report reveals that urban Scotland has more green space than grey. In fact, greenspace covers 54% of urban land. This is a significant proportion. By protecting this important asset, we can enhance our health, attract skilled workers, and improve our confidence. Further, natural assets contribute to a significant part of rural employment. For example, the Beinn Eighe National Nature Reserve supports up to PS765,000 per year in the local economy.
The support offered by Film City Futures is tailored to meet the specific needs of the screen industry in Scotland. The organisation's programmes are specifically designed to connect people, promote opportunities, and develop the skills of screen professionals. The organisation runs a year-round programme of events and projects to develop talent and improve access to the screen industry.
The support available to Scottish screen producers is targeted at SMEs and is aimed at boosting business development and growth. The programme is currently supporting twenty Scottish screen production companies, offering subsidised access to specialist business development support. The FOCUS programme is a two-year pilot project, supported by Screen Scotland and Scottish Enterprise. It works by matching each participating company with a dedicated business development consultant, and bringing together industry experts who can help them develop their business.
The Scottish Government is committed to supporting the growth of the screen sector. It has increased funding for the sector since 2007, promoting Scotland as a competitive filming location. Screen Scotland is a major contributor to the Scottish economy, delivering PS567.6 million in the first half of 2019.
Film City Futures is committed to increasing Scottish investment in film and television. The new Scottish screen channel is expected to launch in 2017, and BBC networks and Channel 4 have expanded their commitment to the regions. It has also launched an initiative called BBC ALBA, which offers financial and practical support to the independent sector.
Film City Futures is committed to expanding the production infrastructure in Scotland and partnering with industry partners on a range of creative and production skills development initiatives. These initiatives are designed to attract new talent to the industry and foster local talent. One of these initiatives is Short Circuit, which is delivered by Film City Futures in partnership with Glasgow Film and BFI Network. This initiative aims to develop five feature-length scripts and nine short films every year.
The screen industry has undergone a dramatic transformation in the last decade. Just 10 years ago, there was a significant decline in the industry, but today, there are new studios coming online and the number of productions in the country continues to rise. Outlander, for example, is a major success, employing 20 new crew members every season.
Glasgow Film Theatre has become one of the leading independent cinemas in the UK. It screens an eclectic range of films, including locally-produced work. It also runs a successful education and outreach programme, and has been recognised with numerous awards. The Glasgow Film Festival is another important contributor.