Gfive Miami

Gfive Miami

Gfive Miami:

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Miami is the land of 10,000 titty bars. But G5ive Gentlemen's Club isn't just another full-nudity bump 'n' grind joint. With "over 100 beautiful women every night," models with bottles, pro ballers, and famous hosts such as 305 rapper Ice Billion Berg, ATL dope boy Lil Scrappy, and retired exotic-dancing diva Tip Drill, this North Miami Beach strip club has become the preferred nudie spot for bosses and wannabes with a taste for big booties, party rap, premium liquor, private lap dances, and Southern cookin'. Watch silver-G-stringed asses drop from the ceiling like it's New Year's Eve. Snatch up the mike and shout down the fakes. Guzzle Hennessy in the VIP with a lady on each leg. Scrub yourself while sudsy babes perform a rub-a-dub show in G5ive's indoor shower. Order breakfast for two (fried chicken and Belgian waffles with a side of vanilla ice cream) at the bar. Go hard. Go wild. Go broke. Get G5ive'd. There aren't many places on Earth — outside the darkest dungeons of the Playboy Mansion or maybe Gene Simmons' garage — where you can find a bed carved with Kama Sutra positions and four phallic posts sitting next to a giant gold wang that would put John Holmes to shame. Lucky for us, one of those centers of sybaritic excess is right in the heart of South Beach. It's the World Erotic Art Museum (WEAM), the only museum of its kind in the United States that spans styles and centuries of erotic all-stars, from Adam and Eve (the original exhibitionists) to contemporary pinups. Entry is typically $15 for adults and $13.50 for students with ID, but if you want to just snag a bit of erotica to spice up your life, head to the museum shop, which stocks an array of jewelry, games, and reproductions. Take your time while appreciating the beautiful flesh on display — WEAM is open until at least 10 p.m. seven days a week.

Few artists have scaled the summit of the Magic City's booming cultural scene as rapidly as Agustina Woodgate. Since arriving in Florida from her native Argentina in 2004, Woodgate has combined a conceptual rigor and an inherent knack for experimentation. Often blurring genres from installation to performance, video, and mixed-media, Woodgate has partnered with dealer Anthony Spinello to spin a fresh vision in Miami. Her projects range from a lofty watchtower crafted from 3,000 hand-fashioned bricks of human hair to psychedelic tapestries of multicolored plush teddy bear pelts. For her "poetry bombing" project, Woodgate stealthily visited local thrift stores, hid among the racks, and clandestinely stitched tags inscribed with verse into the clothes. Woodgate's works have been exhibited at venues as far-flung as the Montreal Biennial and Berlin's KW Institute for Contemporary Art. Last summer, she teamed up with a group of international collaborators to transform a derelict Cold War-era German amusement park into a multimedia wonderland. At the most recent Art Basel Miami Beach, Woodgate became one of the rare local names to represent the creative talent brewing in the 305. Her exhibit "New Landscapes" presented sanded-down maps and strikingly re-envisioned new representations of the world. And like the tens of thousands of people from all points of the compass who descended on Basel and experienced Woodgate's distinct vision, we were enthralled. Strip club culture in Miami hasn't been the same since Puppy Management CEO James Wright and GM Damion McKenzie took over G5ive Miami in 2014. The North Miami Beach venue has long served the community as a popular billiards and comedy club by day and a popping strip club by night. Within the past three years, G5ive has gained plenty of notoriety for its army of more than 100 talented dancers and servers who entice customers from all over South Florida. There are events and specials every night of the week, such as $2 Tuesdays, WCW Wednesdays, and Trendsetter Thursdays. Turn up for your birthday or celebrate dumping your significant other on Fetty Fridays; then experience a topnotch rapper or a model on Celebrity Saturdays. The booth is helmed by pros including DJ Meat, DJ Lucky C, and the 305's DJ Nasty. G5ive has also become a mecca for comedians and out-of-town artists. Philly rapper PnB Rock, Atlanta trio Migos, Harlem native Jim Jones, Rick Ross, Future, Red Café, Tory Lanez, Cardi B, David Guetta, and plenty of other well-known names have turned up, including R&B artist Mya, who one night sang and performed a few dance moves of her own. And don't forget about the strippers, including Essence Monroe, Chyna, and Miami Tip. Great DJs in this city, believe it or not, are rare. Sure, a lot of partiers are content to dance and sing along to the Chainsmokers' "Closer" for the millionth time, but a great DJ can give you a collegiate-level lecture on commanding a room, all without the obnoxious Top 40 hits to keep crowds entertained. If you're looking for a jukebox, Miami has plenty of those, but if you want to be rewarded, check out Ms. Mada. As part of Link Miami Rebels, Mada (real name Rachel Tumada) enjoys residencies Fridays at Trade (1439 Washington Ave., Miami Beach) and Saturdays at Space (34 NE 11th St., Miami), where she has opened up for a who's who of the underground dance music scene, including Lee Foss, Claptone, Green Velvet, Jamie Jones, and Richie Hawtin. Having been at it since 2010, Mada has spun at venues such as Electric Pickle, Treehouse, and Story and made appearances at Ultra Music Festival and III Points. Even with that impressive resumé, Ms. Mada continues to fly under the radar of most Miami clubgoers. (Source: www.miaminewtimes.com)


Miami street artist Trek6's artistic career began at age 6, when his Puerto Rican grandmother gave him some paint from her art supply store. She was probably just trying to keep the kid entertained. Now, three decades later, it's blossomed into a talent that's created some of mural-happy Miami's most recognizable walls. His Bob Marley mural in Wynwood draws a pilgrimage of art fans, music lovers, and photographers. And last year, in collaboration with artist Chor Boogie from San Francisco, he brought back the famous boombox mural at NW Sixth Ave and 23rd Street. Whether you're judging by quantity (Trek6 boasts about 27 walls in Miami since he started tagging them in the '80s, seven of which are still on view) or by quality, Trek6 is a Miami mural legend. And he's hustling to bring the 305 to the rest of the world. Earlier this year, he participated in Pow Wow Hawaii, a gathering of street artists from around the world designed to create connections and inspiration. The event made collaborations such as those behind the boombox and Marley murals possible. He's also taking his skills to the canvas and beyond by exporting his unique, Miami-grown talent to fans across the country. And he's working on a children's book. This is not your average street artist. Trek6 is making Miami beautiful one wall at a time.

Fact: No Locust Projects, no Wynwood Arts District. OK, OK, it might be tough to prove that hypothetical. But when Locust was founded in 1998, it became the first artist-run space in the area and quickly began drawing crowds seeking an alternative to stale local gallery scenes. Since then, Locust has been an alt-haven where artists have been able to take risks early in their careers. Locust has presented work from nearly 250 local, national, and international names and mounted more than 125 exhibits. The nonprofit has become the largest experimental contemporary arts organization in the Southeast. It's not unusual now for shows that start at Locust to rocket to bigger and bigger platforms. Consider Theaster Gates, whose "Soul Manufacturing Corporation" debuted at Locust this past November and drew droves of Art Basel cognoscenti to the gallery. It went on to earn slots in Philadelphia's Fabric Workshop & Museum and London's Whitechapel Gallery. Locust's Out of the Box public art initiative has also made contemporary art accessible to the masses by installing site-specific artworks on billboards and bus shelters across the county. Even if Wynwood would have happened without Locust, no one can claim it hasn't been the engine powering the neighborhood to relevance. (Source: www.miaminewtimes.com)



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