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John Scofield is an American jazz guitarist and composer, often referred to as "Sco." His music has been referred to as jazz fusion, blues, soul, and rock. He is also known for his collaborations with Herbert Jeffrey Hancock and Dave Holland.
John Scofield and Herbert Jeffrey Hancock have worked together on several projects. In addition to collaborating on music, they have also recorded together. Their collaboration dates back to 1982 when they worked together on "Future Shock", the first jazz hip-hop track. The track featured a futuristic music video directed by Godley and Creme and featured robot-like artworks by Jim Whiting. The track went on to become an international hit, and the video was released with the song. It also ushered in the collaboration of Hancock with Bill Laswell.
In the 1970s, Herbie Hancock became fascinated with electronic musical instruments. Hancock's first venture into this realm featured horn players, bassists, drummer Billy Hart, and trombone player Julian Priester. Eventually, he added multireedist Bennie Maupin and guitarist Patrick Gleeson, who played synthesizers.
Hancock studied at Grinnell College and received degrees in electrical engineering and music. He later moved to Chicago, where he worked with composers such as Donald Byrd and Coleman Hawkins. He also took courses at the renowned Roosevelt University. In 1972, Grinnell awarded him an honorary doctorate of fine arts. In the 1960s, Hancock was recommended by Byrd to study composition with Vittorio Giannini, a composer. He also collaborated with Phil Woods and Oliver Nelson on music.
Hancock is also a frequent collaborator of John Scofield. In the late 1970s, the duo recorded a duet album with pianist Chick Corea, which won a Grammy Award for Best Instrumental Composition. They also recorded an album called "Gershwin's World" in 1998, featuring readings of the Gershwin standards. The album included several guest artists, including Joni Mitchell and Wonder.
Dave Holland is an acoustic bassist who has played with a wide range of musicians. Though he is better known as an acoustic player, Holland is equally adept at playing on electric basses. He worked with Davis and the Circle in the late 1960s and early 1970s, and also collaborated with Chick Corea. Corea recently passed away and Holland remembered him fondly.
The duo is scheduled to appear at the Duse Theatre on 9 November 2021, and it is an occasion not to be missed. The duo has worked together in the past but it will be their first time performing together as a duo. Both musicians are champions of their instruments, and their collaboration with each other has been fruitful from the start. This is an opportunity for fans and jazz fans alike to see the duo play at the highest level.
John Scofield's latest album, "Doin' It Again," features a stellar lineup. Adam Nussbaum, Ron McClure, and Terumasa Hino were among the members of the group. The album includes both original compositions and arrangements, and features a tenor saxophone solo by Scofield.
Scofield has been a sought-after sideman since the mid-'70s. His first sideman recording was with singer Gary Marks. The recording was low-key and featured Scofield playing an acoustic guitar. Since then, Scofield has worked with a wide variety of musicians and artists. The list is long and incredibly varied.
Holland is a versatile musician with a distinguished career. He has won several Grammy awards and is also a talented composer and arranger. The two have released several albums together.
The saxophonist John Scofield has collaborated with MMW drummer Idris Muhammad on a new album. The resulting album is a groove fest, filled with bent-note abandon and skronking harmonics. I'm sure Scofield grimaced as he recorded the record, but the result is an album worth a listen.
Before collaborating with Scofield, Idris Muhammad was active in the R&B scene. He toured and recorded with Sam Cooke, Jerry Butler, and Curtis Mayfield and the Impressions. He then moved to New York to concentrate on his jazz drumming career. He was part of the house band for the Prestige Label in the early 1970s, and later accompanied Roberta Flack and Johnny Griffin.
MMW and Scofield share a love for New Orleans second-line rhythms. Their collaboration on "Southern Pacific" is a great example. The song is laid back, but is full of energy and tension. MMW also features a haunting interlude called "Kubrick." After a short interlude, they return to good foot with "Hottentot," where Scofield puts on an over-the-top show.
In 2006, John Scofield released his solo album Out Louder. He later joined Medeski, Martin, and Wood, and toured as MSMW. He also recorded gospel music for the 2009 album Piety Street. While the album's original compositions are strong and compelling, the album marks the end of his relationship with the Blue Note label and Irwin.
Lettuce has played with John Scofield on his VIBE UP Winter Tour. Their collaboration has been dubbed "LETT-SCO." The two artists shared the stage for six concerts in San Francisco, beginning early and performing 90-minute sets. The resulting performances were well-executed and thoughtful. Scofield was the star of the night, but the music was a collaborative effort.
Still Warm is a jazz CD that features compositions by jazz guitarist John Scofield. It also features keyboardist Don Grolnick, bass guitarist Darryl Jones, and drummer Omar Hakim. This album features all original compositions by Scofield, so you can expect a lot of familiar jazz sounds from this album.
The album is a blend of jazz and blues with a scratchy rhythm. It's Sco's signature tone and lithe fluency combine with scratchy percussion, urgent wit, and sly funk. Scofield's unique sound is a mix of blues and funk, while Hakim and Jones add an air of urgency to the mix.
Scofield is one of the most distinctive guitarists of the era and performs with an all-star rhythm section. His music is funky, exploratory, and at times disturbing, but it never fails to get the grooves going. Scofield's unique blend of influences allows him to straddle genres and not get stuck in any one style.
In 1995, John Scofield released the album Groove Elation. It features Larry Goldings, Dennis Irwin, Idris Muhammad, Don Alias, and a four piece horn section led by Randy Brecker. The result is an album that is both innovative and highly danceable.
The album is recorded in C#, but if you're looking to modulate it, consider G#, F#, and A#m (all subdominant). If you're working with open keys, try 7d, 8m, or 9d. In addition, consider what other songs have in common, including tempo, and adjacent Music Keys.
The album features a fusion of different musical styles, and Scofield continues to evolve year by year. This 1995 release is blues-oriented, boppish, and laidback. On the album, Larry Goldings doubles on piano and is almost as significant in the ensembles as Scofield himself. In addition to Goldings, there are other notable players in the band, including Idris Muhammad and Dennis Idris Muhammad.
A recent live performance at Berklee College of Music showcased the work of John Scofield and Joe Lovano, two of the most respected names in jazz. Scofield played in Miles Davis' band from 1983 to 1985. He played on albums like Decoy and You're Under Arrest and later worked with Marc Johnson, McCoy Tyner, and the French National Orchestra. Scofield's Electric Outlet incorporated his unique approach and style into a jazz ensemble. The resulting album, Still Warm, was a success, and is a testament to his talent and hard work.
Scofield and Lovano have been working together for years. In the mid-1970s, they were both in Billy Cobham's group. Their careers have continued ever since. They later joined Scofield's quartet and later teamed up with drummer Al Foster.
Scofield, a jazz guitarist and one of the "big three" living jazz guitarists, first teamed up with Lovano at Berklee College of Music. Later, the two formed a band and released several Grammy-nominated albums on the Blue Note label. Since then, Scofield has performed with many jazz legends and recorded more than thirty albums as a leader.
'Still Warm' with Bill Steward is an incredibly warm and inviting album. Scofield is a master of the instrumental voice and has worked with Bill Stewart on many of his recordings. This album is a sonic celebration of the musician's improvising skills. The trio's playing is consistently inventive and brimming with variety. John Scofield's guitar playing is a masterclass in how to sculpt and distort sounds. Bill Stewart's playing is equally impressive, with a remarkably heightened sense of level.
Swallow's guitar and bass add a lush timbre to several songs, while the rhythmic and harmonic interplay showcases the versatility of this trio. While Scofield and Swallow play with fluidity, Stewart uses accents to dare the guitar players to interact. This gives the songs a certain edge.
The album also features several songs with strong melodies and some very busy tracks. For instance, 'Blue Matter' features a wacky gospel influence while Scofield's guitar solos on a heavy funk riff. Another highlight is 'The Nag,' which features Scofield's guitar and bass. The album was recorded live at the Blue Note in NYC in December 2003.
The album includes both quiet, melodic moments and more hectic tracks, such as the angular anthem 'Protocol.' Scofield has a knack for arranging his band well, and the album is a real joy to listen to. The keyboardist Don Grolnick, who also worked with Kenny Kirkland on earlier albums, adds some fluttering keyboard textures. Other notable musicians include Darryl Jones, who played with Miles Davis on his previous release, as well as Omar Hakim, a drummer who worked with John Scofield and Marc Johnson during their time together at Weather Report.
During his early career, Scofield played with many notable artists, including Billy Cobham and George Duke. His gnarly guitar playing, which frequently uses effects and distortion, is also a trademark of his work. He has a seemingly endless supply of musical ideas. His great compositions and love of groove-based music have made him a major force in the jazz world.
Johnson makes his ECM debut with his Bass Desires quartet, and his bandmates are carefully chosen. The pair seem like a perfect fit. The contrasting styles and textures of the album's title track, 'Ton Sur Ton', are a testament to the talent that these three musicians share.
John Scofield was born in 1951 in Ohio, but grew up in suburban Connecticut. At an early age, he took up the guitar and was soon inspired by blues and rock music. His early musical experiences included collaborations with Gerry Mulligan, Chet Baker, and Charles Mingus. He later joined the Gary Burton Quartet and embarked on an international career. He has also played with Miles Davis, Pat Metheny, Mavis Staples, and Teruma Hino.
Born in 1951, jazz pianist John Scofield has been performing and recording professionally for more than forty years. After studying at Berklee College of Music in Boston, Scofield began playing in local bands and recorded with Chet Baker and Gerry Mulligan. He also spent two years with the Billy Cobham-George Duke band. His early recordings were funk-oriented, but he has expanded his repertoire to incorporate jazz and fusion into his work.
Scofield's albums have earned him numerous accolades, including Grammy Awards for Past Present and Country for Old Men. His first solo record was released in 2011, and in 2016 he released his second solo album, Country for Old Men, featuring songs by Bob Dylan, Joni Mitchell, Jimi Hendrix, and the Band. The band consisted of Medeski, Scofield, and guitarist Bill Stewart, and the album reached number four on the jazz chart and earned the Grammy Award for Best Instrumental Jazz Album.
In addition to his research in solid state physics, Scofield also had applied research interests, combining the heart and head of an engineer and a physicist. His past research focused on the materials used in metallic nano-wires, as well as the electronic properties of MOSFETs. Another area of interest was the study of copper-indium-diselenide (CIS) solar cells.
A master improviser, John Scofield is one of the "big three" jazz guitarists, straddling the classical and contemporary jazz worlds. His musical style is an eclectic mix of rock, fusion, and post-bop. Scofield studied at Berklee and played around the Boston area between 1970 and 1973. He also played with the legendary Miles Davis during his 1980s tour.
Govt Mule guitarist Warren Haynes recently made a surprise appearance at the Newport Folk Festival alongside Wilco guitarist Nels Cline. The festival was held in Fort Adams State Park in Newport, Rhode Island, and the pair played a special set. Their album, Heavy Load Blues, debuted at number one on the Billboard Blues Albums chart and has racked up millions of streams worldwide.
The set featured a variety of instruments, with each guitarist taking a solo on several songs. Haynes played several guitars throughout the set, while Scofield played one Ibanez hollow body guitar during the encore. They often traded licks between guitars, and each player delivered a heartfelt solo. The solos of both guitarists were reflective of their backgrounds, although Scofield's jazz influences were most prominent.
Scofield joined Gov't Mule for two nights in Georgia in 1999. This was their first tour together, and their set list changed frequently. The duo performed "Night Time is the Right Time," a classic blues number done by Ray Charles. The song also featured an impressive solo by drummer John Morgenstein.
Warren Haynes and John Scofield also played a set of classics at the Peach Music Festival in Arrington, VA in 2014. They played songs from the Traffic album "Mr. Fantasy" and "Little Bird". They also jammed on tracks by Van Morrison, John Perry Barlow, and Grahame Lesh. The concert was recorded by Keith Litzenberger.
Mavis Staples is a gospel and rhythm and blues singer. She has worked with some of the biggest names in music, including Bob Dylan and Prince. In addition, Staples has appeared on tribute albums to Bob Dylan and The Band. Her voice has also been sampled by rap artist Ice Cube.
Born in Ohio, Scofield has been a part of the jazz scene for over four decades. His innovative guitar work has helped define the contemporary jazz genre. Known as a master improviser, his music has a distinctive sound that falls somewhere between jazz-funk, post-bop, and R & B.
Eddie Harris and John Scofield are two jazz musicians known for their innovative and inventive music. Both of them were born and raised in Chicago, Illinois. Their father was from Cuba, and their mother was from New Orleans. Harris studied music at DuSable High School and Roosevelt University, where he became proficient on the piano and tenor saxophone. He later began performing professionally, working with Gene Ammons and other artists.
Besides working with many different musicians, Harris and Scofield has also performed on his own. His trio of guitarists is named MSMW, and Scofield has performed with the group in the past. Scofield and Harris have toured as a duo and in a trio with John Medeski. They have also performed gospel music on the 2009 album Piety Street.
In addition to touring with Miles Davis, John Scofield has recorded with a number of musicians. His albums have evolved into post-bop jazz, and he has performed with the likes of Charlie Haden and Joe Lovano. He also joined the jazz supergroup Bass Desires, which also featured Peter Erskine and Marc Johnson.
Harris has also released an album called Hand Jive, which features both of them. Harris's hand-jive music was considered to be the funkiest jazz albums of the 1960s. Scofield's funky sound has been influenced by the sounds of jazz musicians such as Bill Stewart and Steve Swallow.
Scorched is a live recording of the world premiere of a composition by Mark-Anthony Turnage, which was commissioned by the Society of Friends and Patrons of the Frankfurt Radio Symphony Orchestra in 2002. The piece is a dramatic acoustic experience for orchestra and audience.
Turnage's works have been recorded on a number of labels. His latest release, Etudes and Elegies, was nominated for a Grammy. He is currently a Research Fellow at the Royal College of Music. His music is published by Boosey & Hawkes and Schott.
Mark-Anthony Turnage, a British composer who was influenced by jazz, has been composing for the concert hall for the last decade. His collaboration with Scofield has led to the composition of a series of fusion pieces, including Scorched. This album is marked by Turnage's ability to incorporate jazz and classical music into an impressively cohesive whole.
The music of Mark-Anthony Turnage is relevant and unafraid to reflect contemporary life, but it also has a rich emotional range. His titles are vivid, and his use of jazz and rock elements have been successfully incorporated into his contemporary classical style. The music is both exhilarating and moving.
In a career spanning nearly four decades, Dave Liebman has performed with everyone from Miles Davis to John Scofield. He has been a member of bands such as Lookout Farm, Quest, and the Dave Liebman Group. He has also performed with such luminaries as pianist Kenny Kirkland, vibraphonist Mike Mainieri, bassist Marcus Miller, and percussionist Don Alias.
Liebman's long list of accolades includes a Grammy nomination in 1998, an Order of Arts and Letters, and the Order of Finland. He has also been a guest lecturer at the Global Jazz Institute and a teaching artist at the Manhattan School of Music. In addition, he has been named a Jazz Educators Network Legend. Liebman's exemplary career has won him several awards, including the Downbeat Critics Poll and Jazz Times.
In addition to his many recordings, Liebman has authored several books. His books on jazz saxophone sound and harmony are considered classics in the field. He has also been an active lecturer and published several instructional DVDs. He has also produced several chamber music pieces and is the founder of the International Association of Schools of Jazz.
His trio's musical approach is very open, with a strong reference on groove. Their material ranges from original compositions to inventive arrangements of standards. The trio has worked together for over thirty years. In this recording, they have penned 10 originals and arranged Cole Porter's "Get Out Of Town." In addition, they pushed the boundaries of modern jazz composition with a number of arrangements for a chordless trio.
John Scofield is a well-known jazz guitarist and composer. In addition to composing and performing his own music, Scofield has collaborated with other jazz artists. For example, he has performed with Medeski, Martin, and Wood. This collaboration led to the release of the album Out Louder on September 26, 2006.
The new album Country for Old Men by John Scofield combines elements of jazz, country, and blues. Scofield has written and recorded more than 40 albums in his career and has influenced many different styles of music, including bebop, funk, and organ jazz. His guitar tone is warm and full-bodied, yet detailed and easy on the ear. In an interview with Premier Guitar, Scofield explained his approach to playing country and incorporating jazz into his playing.
In Country for Old Men, Scofield pays tribute to many country artists and groups, including Hank Williams and Dolly Parton. The album's title track is a re-harmonized version of a Rolling Stones song, and Scofield uses a ukulele on another track. The album was produced by Scofield and is available for download from iTunes and Amazon.
Country for Old Men is an impressive album. Scofield and his band play superbly on this album, with the sound of the recording on a quality system being excellent. This album is one of the best albums of the year, combining soul with top-notch playing.
Despite his age, Scofield still manages to tour regularly and release new albums almost every year. While he's often associated with jazz, his new record is a welcome departure from his jazz roots.
John Scofield recently won the Grammy Award for Best Jazz Instrumental Album with his latest album Country For Old Men. He is also preparing to release another album in June titled Hudson, which features Jack DeJohnette, Larry Grenadier, and keyboardist John Medeski. This week, Scofield celebrated his accomplishments with a concert at Jazz at Lincoln Center, focusing on his two most popular albums. The music, which spanned nearly five decades, showcased Scofield's musicality and range.
After his time in the David Liebman quartet, Scofield formed a trio with pianist Steve Swallow and drummer Adam Nussbaum. The trio recorded three albums together, including the seminal Time on My Hands, which was released in 1983. Scofield composed all of the music on the album.
Scofield's second album, 'Blue Matter', traces its roots in the jazz music of the mid-'80s. Its signature sound features tight unisons, intricate stop-time lines, and funk fusion underpinnings. James Scofield also plays electric guitar in synchrony with Gary Grainger, slap bass, and drums. The Scofield band also included veteran keyboardist Jim Beard, who added a distinctly '80s edge to the ensemble. While Beard did not appear on the original Gramavision album, he toured with Scofield and the Blue Matter Band during the mid-1980s.
Another notable album from Scofield is "Out Louder", which was released on EmArcy Records in 2006. The album was released on September 26, 2006. The album features a duo with John Medeski and Bill Stewart, as well as a horn trio.
Swallow Tales is a jazz album by jazz guitarist John Scofield, featuring bass guitarist Steve Swallow and drummer Bill Stewart. It will be released on ECM Records on 12 June 2020. The album features nine re-arranged Steve Swallow compositions.
Swallow is a former member of the popular group Gary Burton and a jazz guitarist. Later, he switched to an electric bass and began playing with a plectrum, giving him a distinctive sound. His contribution to the Burton group's repertoire is clear on Swallow Tales, which includes songs from that period. Swallow also contributed to Bill Evans' early 1970s recording of "Hullo Bolinas." Scofield met Swallow as a 20-year-old jazz guitarist and composer.
The album's compositions are fascinating and eloquently performed. Highlights include the Monk-ian 'In F' and Scofield's own beguiling melodies. The recording also boasts a fine trio. The bassist, Swallow, sets the pulse with confident electric bass lines, while drummer Bill Stewart provides a swaying, sensuous groove to the lead lines.
The jazz guitarist John Scofield is a long-time admirer and colleague of Steve Swallow. After collaborating with him for years, Swallow's compositions have become a force on the jazz scene. The trio is not a continuation of the Swallow trio, but rather a way to draw attention to Swallow's compositional skills.
Whether you're a fan of jazz guitar or bluegrass music, you've probably heard of John Scofield. While he may not have a band of his own, his music is often reminiscent of the bluegrass genre. His latest release is a new album titled Past Present. The album features several of his classic compositions, as well as some originals.
Currently living in Katonah, New York, Scofield is one of the curators of the Katonah Museum of Art's "Shades of Jazz" series. The Berklee School of Music graduate also holds a position as a music professor at NYU. Many jazz guitar fans consider Scofield one of the "Big Three" of jazz guitarists.
Scofield began his career by joining the Billy Cobham-George Duke band in the early 1970s and has continued playing jazz-funk music ever since. He began collaborating with Duke and Cobham's band in the early 1970s and went on to provide licks for Miles Davis during the 1980s. He also recorded with Enja, Grammavision, and Blue Note. He toured extensively with Miles Davis and was a member of the Miles Davis quartet from 1982 to 1985.
Scofield has released several albums since his debut on Decca. He has returned to the jazz standard with EnRoute and explored the earthy sounds of the funkateers on Piety Street. His recent album "Moments" shows a more mature side of his playing.
John Scofield is a legendary jazz guitarist and composer who has released some of the best jazz albums of all time. He has teamed up with Joe Lovano and formed a quartet, which released several critically acclaimed albums for Blue Note Records. The duo are known for their groove-based music, and Scofield's distinctive style is reflected in their work.
Scofield's music is a combination of traditional jazz and contemporary music. He has collaborated with musicians like Gov't Mule and Phish. He has also worked with Grateful Dead co-founder Phil Lesh. However, he has yet to release a solo album, and his fans have an understandable outrage at this. Fortunately, Scofield has a surprising explanation.
Scofield's solo work is varied and diverse. He has recorded with many legendary jazz artists over the years. His albums span the genres of jazz, rock and funk, and country. His work has featured a unique vocal style that stretches the strings in the most unusual ways.
In addition to being a great jazz guitarist, Scofield has been an outstanding composer as well. He played on the final session of Charles Mingus, and he has also been a member of Billy Cobham and George Duke's band. He is known for his blues-inflected playing, which makes use of effects and distortion. As a guitarist, Scofield is constantly coming up with new ideas and experimenting with the genre. His success is mostly due to his excellent compositions and improvisation.
The Jazz Guitarist And Composer John Scofield has a rich and varied catalog of songs to choose from. From the gnarly blues-influenced sound of his early work to the use of effects and distortion, Scofield's playing is unrelenting and ever-changing. His ideas are endless, and his success is largely due to the quality of his compositions, which have also tapped into his love of groove-based music.
Born and raised in Connecticut, Scofield began his career playing in local blues and rock bands before enrolling in the Berklee School of Music in Boston. After graduating from Berklee, Scofield entered the professional jazz world by playing with established artists. He performed with the "cool school" at Carnegie Hall and recorded with jazz guitarist Charles Mingus. He later joined Billy Cobham's fusion band. In 1977, Scofield began recording under his own name. His solo albums reflected his confident command of the range of modern jazz idioms. These recordings showcased his mastery of the jazz guitar and improvising, often on quirky melodies.
While Scofield's solo albums often include gorgeous melodies, the album includes some angular tracks, such as "Protocol." The band arrangements are excellent, with excellent compositions by Scofield. Keyboardist Don Grolnick (who had previously worked with Kenny Kirkland) provides floating keyboard textures that complement Scofield's guitar playing. Drummer Omar Hakim and bassist Gary Grainger contribute to the album.
Scofield's recent albums have received praise and awards. His debut album on Decca was a gentle ballad titled "A Moment's Peace" and his second release, "Country For Old Men," reinterpreted country songs by Jimi Hendrix and Joni Mitchell. He even stripped down his guitar and used an innovative Looper pedal.
Country for Old Men is a collaboration album that features Scofield's signature sound and a string band based in the Hudson Valley. The album features Scofield originals as well as readings by Dylan, Hendrix, Joni Mitchell, and others. Scofield's jazz influences are apparent, as well as the use of piano/organ and gritty electric guitar. The acoustic rhythm section is also prominent.
John Scofield is a Grammy-winning guitarist, composer, and bandleader who combines several musical styles. His distinctive tone has earned him the distinction of being one of the foremost masters of jazz improv. The trio's live performances are a unique opportunity to experience Scofield's unique and distinctive sound. The band will tour across the United States in support of his latest album, Country for Old Men.
In the mid-'80s, Scofield began his tenure with Miles Davis. Despite a less-than-ideal relationship with the venerable jazz pianist, Scofield has always had top-notch engineers on his albums. The sound quality of Past Present is particularly impressive, as Jay Newland recorded the group in Carriage House Studios and Mark Wilder mastered it.
Scofield has been touring for many years and continues to release new albums. His current tour takes him to major cities in the United States and Europe. His New York City performances are scheduled for Sept. 27 and Oct. 2. He will also perform in Germany at the Esslingen Jazz Fest on Sept. 16.
John Scofield - Jazz guitarist and composer - is an artist with a rich history and an expansive catalog of recordings. In his half-century career, Scofield has collaborated with jazz giants such as Miles Davis and Bill Frisell, while performing as a leader on dozens of albums. Scofield has mastered many jazz styles and idioms as he charts a personal route through jazz. His compositions and solo performances are often accompanied by a loop machine or a live orchestra.
Scofield grew up in Wilton, Connecticut and studied at the Berklee College of Music in Boston. While studying at Berklee, he played with Chet Baker and Gerry Mulligan. In 1976, he replaced Pat Matheny as a member of Gary Burton's quartet and signed a recording contract with Enja Records. His debut album was released in 1977.
Scofield's original compositions are among the highlights of this set. He has also recorded a song dedicated to his wife, "Honest I Do." "Mrs. Scofield's Waltz" and "Since You Asked" have also been recorded by the two musicians. Other songs on the album include "Elder Dance," a track considered a '60s version of jazz à la Coltrane, whereas "Elder Dance" maintains a high energy level.
After a successful career in the jazz/funk/fusion genre, Scofield turned to trad jazz in the 1980s. His music on Time on My Hands, a trad jazz album, featured Bill Frisell and Joe Lovano. On his subsequent album, Bass Desires, Scofield's jazz mojo returned.
If you want to learn the basics of solo arranging, then Ted Greene's Solo Arranging with Ted Greene video course is perfect for you. This master class, which is an affiliate of the Music Institute of California, covers the basics of solo arranging, comparing Bach root movements with old standard tunes. The course includes examples of different chord progressions, arpeggios, and scale relationships.
Ted Greene's notation is not meant to be played strictly as written, but to be interpreted as a guide to placement and structural format. He also encourages his students to add their own interpretation and variations. His notation is an excellent reference, but you should not rely solely on it.
If you want to learn chords and harmonies, Ted Greene's video series is an invaluable resource. In addition to teaching chord and melody improvisation, the lessons are packed with practical tips that can help you improve your playing. You'll learn how to play shuffles, marches, and waltzes in three different styles, and he also teaches you how to play the tumbao bass. Finally, you'll get a taste of New Orleans style, featuring tunes by Lenny Breau and George Van Eps.
In addition to lessons, Ted Greene's website also includes discussion forums. While they don't have too many posts per month, they're still a great resource for anyone looking to learn more about guitar pedagogy. Many of his former students are happy to share their insights in this forum.
Mac Randall has been the editor of JazzTimes since May 2018. Prior to that he was a regular contributor to the magazine. He has also written extensively on a variety of musical genres. He is also the author of several books, including Exit Music: The Story of Radiohead and 101 Great Playlists.
John Scofield began his career playing acoustic jazz, but rose to fame in Billy Cobham's fusion group in the mid-1970s. He later became the guitarist for Miles Davis's band from 1982 to 1985. Scofield has released over thirty albums and collaborated with artists such as Mose Alison, Herbie Hancock, and Bill Frisell.
John Scofield has been a jazz guitar virtuoso since the 1970s. He has recorded more than thirty albums and continues to tour extensively, averaging more than 200 days a year. The guitarist and composer is also a teacher at New York University.
Before joining the Miles Davis Band, Scofield had played with many musicians, including Charles Mingus, Tony Williams, Ron Carter, George Duke, Terumasa Hino, and Ron Carter. He later won the Down Beat Readers' and International Critics' Polls. His 1985 release featured a group that included drummer Omar Hakim and keyboardist Don Grolnick. His 1986 album featured bassist Gary Grainger and drummer Dennis Chambers.
Scofield continued to grow as a jazz guitarist, incorporating more jazz into his playing. His subsequent recordings continue to follow this trajectory, with many of his early recordings reissued. He also writes a large number of original compositions. He also frequently works in small ensemble settings, with such notables as Bill Frisell and Pat Metheny. His solos on these albums often feature musicians from other groups, and some include horns and strings.
Miles Davis's style was an influence on many jazz musicians, including John Scofield. The guitarist and composer later reformed the Milestones quartet as a sextet with saxophonist Julian "Cannonball" Adderley. These musicians embraced the jazz tradition in a unique and progressive way.
By the mid-1970s, Miles Davis' output began to slow down. He released two albums in 1974 - Big Fun (1974) and Get Up With It (1975) - a double album of jamming sessions recorded between 1969 and 1972. The album also included the popular "He Loved Me Madly" tribute to Duke Ellington and "Calypso Frelimo."
Miles Davis remained influential in jazz for many years, even though his music was influenced by many different genres. Miles Davis wasn't an avant-garde artist, but he was a trend-setter. His bands redefined jazz music repertoire by incorporating intricate solo forms and harmonies. In addition, Miles Davis' music included more modern music.
As his career progressed, he delved into pop music, including rock and pop. He also played with countless pop musicians. One of his most notable collaborations with pianist Herbie Hancock was on 'The New Standard', a jazz album featuring a mix of jazz and pop songs.
Steve Swallow, a former Berklee faculty member, is an American jazz guitarist and composer. He is renowned for his lyrical style on the electric bass and prolific composing. Many of his tunes were included in the Real Book during the 1970s, and included songs such as "Falling Grace" and "Como en Vietnam." His compositions also appeared on albums by Art Farmer and Jimmy Giuffre.
Swallow was not a fan of Scofield's studies at Berklee, and Scofield was about to drop out at the time. However, he was a major influence on Scofield's style. The guitarist went on to record with such artists as Gerry Mulligan, Chet Baker, and Billy Cobham. This group influenced Scofield's later work.
Scofield, born in Ohio, has been a major influence on jazz since the late 1970s. He has collaborated with a variety of musicians, including legendary jazz bassist Steve Swallow and the legendary drummer Bill Stewart. His guitar playing has also influenced the style of many contemporary musicians. In addition to Swallow, Scofield has performed with Tony Williams, Bill Stewart, Jimmy Cobb, George Duke, and Jay McShann. He has also worked on contemporary orchestral projects, and recorded the Grateful Dead songbook with Phil Lesh. He is a true musical chameleon.
Swallow's compositions are a great vehicle for improvisation. The composer's songs are often influenced by Swallow's compositions. This makes it possible for Scofield to use his improvisational skills without any limitations. He is also an accomplished songwriter.
Swallow has been a mentor to Scofield for decades. Their friendship is reflected in their musical collaborations. The guitarist and Swallow have collaborated together on a number of records, and Swallow also acts as producer on some. Last year, Scofield and Swallow released a new album, Swallow Tales, in which the guitarist and Swallow play nine of his classic tunes.
Swallow began his career as an upright bass player and eventually made the switch to electric bass full-time. Swallow has never looked back since. He has worked hard to make the electric bass a legitimate instrument in jazz. Swallow worked with luthier Harvey Citron to make the instrument ideal for his playing style.
Scofield has a distinctive approach to improvisation, which is influenced by country music, but distinctly jazz. His rendition of Hank Williams' "You Win Again" features his signature whammy bar and steel slide guitar techniques. Whether playing straight jazz standards or improvising on traditional country tunes, Scofield's improvisations are always a joy to listen to.
After graduating from Berklee College of Music in 1976, Scofield started playing jazz alongside other musicians. Although he never met many of his influences, he was lucky enough to study under vibraphonist Gary Burton, who was a member of a top jazz group. He also jammed with his roommate Ted Seibs.
Scofield will appear with his flagship rhythm section, which includes Larry Goldings, Bill Stewart, and Steve Swallow, at the PDX Jazz Festival on February 24. In a recent interview, Scofield spoke about the creative process behind his new album, Country For Old Men. He also discussed his country-western background, and how learning the lyrics of instrumental pieces helps him to create a unique interpretation of the music.
Scofield has many interests, and his album Country for Old Men brings these together. The new album features two additions to his core trio: Swallow and Stewart. A four-piece brass and reed section completes the lineup. Scofield's original compositions comprise the majority of Country for Old Men, and the album also features a song by the Rolling Stones that he re-harmonized. On the album, Scofield also added a tremolo guitar played by Bill Frisell.
John Scofield's jazz improvisations are characterized by a characteristic, slightly distorted sound. His sound has spanned post-bop, fusion, funk, and soul-jazz, making him one of the top three jazz guitarists of the late twentieth century. Scofield first made his mark in the mid-70s by playing with Chet Baker. His debut album, East Meets West, was released in 1977 and was followed by Out Like a Light in 1981.