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FutureStarrHow to Watch John Scofield on Youtube
If you're looking for information on john scofield, you've come to the right place. He's an incredible speaker with tons of useful information to offer. He's an outstanding teacher and shares his insights in a very easy-to-understand manner. He has a very unique approach to teaching and has helped many people improve their life skills.
John Scofield Live is an album of jazz guitar playing from November 4, 1977 in Munchen, Germany. It features guitarist John Scofield accompanied by pianist Richie Beirach, bassist George Mraz and drummer Joe LaBarbera. If you're a fan of jazz music, then this album will be a treat for you.
John Scofield has a distinctive style that has earned him a reputation as one of the jazz world's most nimble and versatile musicians. He has performed with such notables as George Duke, Billy Cobham, and Charles Mingus. His style is characterized by gnarly blues-inflected playing and the use of distortion and effects. His music is fueled by a never-ending stream of creative ideas. He is a prolific composer, and his compositions have been a major part of his success. He has indulged his love of groove-based music on his numerous albums.
John Scofield uses both hands in his playing, allowing him to produce a wide variety of tones and dynamics. His left hand adds phrasing and articulation, and is often used in melodic phrases. His right hand uses a pick or strum to create a variety of tones and dynamics.
Scofield grew up in Ohio, but later moved to Connecticut to pursue a musical career. He studied at the Berklee College of Music, and began playing locally. He also toured and recorded with Chet Baker and Gerry Mulligan. He later joined the Billy Cobham/George Duke band and went on to work with Charlie Mingus and the David Liebman Quintet. His style is influenced by both jazz and funk and he is a master of improvisation.
In addition to his own work, John Scofield has collaborated with many great bands and has made inspired personnel choices. His newest album, "Country for Old Men," has a distinctly country flavor. Scofield's guitar style has matured considerably since his first solo release, and he has honed it in the footsteps of Miles Davis.
Guitar looping devices are the latest trend in the music industry and are used by a number of artists, including Ed Sheeran. In fact, he uses his loop pedal extensively throughout his act. Jazz guitarist John Scofield has also used looping devices on his solo albums. But how does one use a looping pedal?
During his last five years, jazz guitarist John Scofield has spent a lot of time experimenting with the latest technology and new collaborators to reimagine his music. For example, his last album, the sample-laden Uberjam, is a product of that process.
Scofield's use of guitar looping devices was an evolution in his sound. In the early 2000s, Scofield was playing solo shows and using a looper. In the spring of 2020, when the world went on lockdown, his ability to place riffs on infinite repeat proved crucial. Fortunately, Scofield's trusty Boomerang had already paved the way for months of musical exploration and experimentation. On his latest solo album, John Scofield has incorporated looping and solo tracks into his solo tracks.
Scofield's looping devices are an excellent option for guitarists who want to record their own songs or use them in live performances. Scofield has collaborated with many jazz greats and has also worked with Medeski Martin & Wood, Joe Henderson, and George Duke. He is now a pioneer in guitar looping technology and has been praised by many.
John Scofield's writing is an important part of his music. The songs on Past Present are a good example. Scofield's wife, Susan, came up with the names of the songs. The two of them have been working on their right-hand picking technique for several years. The couple both love playing music and writing music. In fact, they even have a formula that they follow when writing a song. For example, they may write a two-bar improvisation, then record it and add other parts to make a full song.
John Scofield has a wide range of musical styles. His influences range from jazz to country. He has also performed with avant-funk jazz ensemble Medeski Martin & Wood. Despite his extensive resume, Scofield's writing has remained consistently good. He's written many albums and is active on the tour circuit. His writing is not only excellent, but his music has a strong groove element. The funk and country music he's played on recent albums is a good example of his influences.
Scofield's writing is a strong part of his music, both as a soloist and as part of a band. He collaborates with other musicians to write music, and his writing continues to grow in depth. His most recent album, Combo 66, is a tribute to his 66th birthday, and the band features longtime collaborators Bill Stewart on drums, pianist Gerald Clayton on piano, and upright bassist Vicente Archer on upright bass. The songs on this record blend a country and blues-style vibe with free-thinking guitar solos.
While the album is not a classic jazz album, the songs still sound fresh and original, and Scofield has already established a strong identity as a song writer and arranger. This album showcases some of Scofield's best writing to date. He composed eight of the nine songs on Quiet. One of them was co-written with Steve Swallow, who is known for his smooth, melodic bass guitar. Another band member on the album is Bill Stewart, who was previously with Miles Davis.
During his career, Scofield has drawn inspiration from a wide range of sources, including rock, jazz, and folk music. He's also been influenced by the work of jazz pianist Herbie Hancock. As a guitarist, Scofield has adapted pop and rock hits from the likes of Prince, Kurt Cobain, and Peter Gabriel. He has also embraced Chicago blues and has performed with some of the best jazz artists in the world.
In the early 1980s, Scofield recorded his first solo album, "Solar", with guitarist John Abercrombie. The album, however, only achieved limited success. At that time, Scofield was unsure of the marketability of his music, but later said that it was a "connoisseur's music." In 1982, Scofield joined Miles Davis's band and began touring with him.
Scofield grew up playing jazz standards and later embraced rock and roll, funk, and country music. Although his influences are varied, his voice always demonstrates a unique string-bending quality. The recent release "Uberjam II" (Urbanjam) features the same band as the previous release. Both albums feature a forward-thinking approach that is reminiscent of his former employers.
Born in 1951, John Scofield spent much of his early life in suburban Connecticut. As a teenager, he began playing in local bands, and went on to study at the Berklee College of Music in Boston. He worked with some of jazz's greats, including Chet Baker and Gerry Mulligan. He also played with the Billy Cobham-George Duke band for two years. After he graduated, he began to make recordings under his own name. His debut album, "Torque," was an instant hit with jazz critics. Miles Davis was a huge influence on Scofield.
John Scofield is a true innovator in jazz. The musician has a range of influences that spanned decades and genres. The influence of jazz improvisers is obvious, and he's credited with introducing bluegrass to the mainstream.
The John Scofield Trio is a modern jazz trio that combines improvisation and composition to form a cohesive whole. The trio's approach has been compared to that of Miles Davis, Bill Stewart, and others. But what sets the group apart is its musical versatility, which is a key characteristic of jazz.
John Scofield is a jazz icon renowned for his stylistic diversity and distinctive sound. He is widely considered a master of jazz improvisation. This time around, he will tour with his trio, the John Scofield Trio, which is venturing into conceptual territory to support his latest album, Country for Old Men.
The trio's improvisational style is highly fluid and dynamic. The first track, "Plain Song," had a two-beat country feel at its core, but Scofield and Swallow worked together to expand it past its rural roots. Stewart played a cymbal-like rhythm pattern over a simple pulse, while Swallow fashioned a bass line that interacted with the beat. Scofield's chords were superimposed on top of the rhythmic base. The group's ability to mold disparate parts into a coherent composition makes this album a standout.
The trio's music combines jazz concepts and electronic vocabulary. On "Uberjam Deux," Scofield and Swallow use the same guitars, but their sounds are very different. This album is a culmination of an intense week at the Blue Note in December 2003. The trio has performed together for over twenty years, and it has attracted a wide audience.
John Scofield has been playing guitar since the 1960s. He has released over 40 albums as a leader and collaborated with some of today's most prestigious musicians. His work has included recordings with Herbie Hancock, Ron Carter, and Tony Williams. He has even infused traditional country melodies with jazz.
John Scofields compositions include many jazz standards that were influenced by modern music. He began experimenting with breakbeats influenced by modern dance music. He also made two albums with Israeli guitarist Avi Bortnick and drummer Adam Deitch. The group had limited success in the United States but had great success in Europe. In 1983, he joined Miles Daviss group.
John Scofield, a master of jazz guitar, is one of the principal innovators of modern jazz guitar. An aesthetic chameleon, he has consistently evolved his sound and style. The guitarist recently compiled a new album of twelve original compositions for his 66th birthday. The group will tour and record the music, which has an intergenerational feel.
Trombonist Marshall Gilkes has performed with the Maria Schneider Orchestra, the New York Latin music scene, and Colombian harpist Edmar Castaneda. The group's sound is as diverse as its influences. It's the result of a fusion of styles that range from straight-ahead swing to adventurous modernism.
John Scofield's band has been together since the late 1970s. In that period, he played with bassist Steve Swallow, a pioneer of the electric bass. Together, they recorded numerous influential albums, including Shinola and Out Like A Light. Since the early 1990s, he has also worked with drummer Bill Stewart. The trio has recorded several albums and has played with many famous musicians. Their last studio album EnRoute, released in 2011, features a live performance at the Blue Note in New York City, along with a collection of other recordings.
Scofield has a penchant for reinterpreting music. In addition to originals, he has a new project called Hudson, which was released on June 9 this year. The ensemble consists of a group of musicians who are based in the Hudson Valley. It features original Scofield compositions as well as readings by the likes of Dylan, Hendrix, the Band, and Joni Mitchell. The group's sound is rich with jazz influences and features piano/organ, a gritty electric guitar, and an acoustic rhythm section.
The jazz-funk fusion of John Scofield and Dave Holland's trio is a familiar and popular combination, but the trio's sound is distinctly unique. Scofield's albums often allow the musicians to expand on the basic material, but the improvisations are tight. A live session featuring a trio of bassist Steve Swallow, guitarist Dave Holland, and drummer John Scofield, titled EnRoute, provides a more free-form experience.
Miles Davis was a renowned jazz pianist, who had a turbulent personal life. Despite this, he was a prolific artist and often collaborated with other important musicians. He became acquainted with pianist Ahmad Jamal, who influenced his music deeply. Scofield's lyrical approach is a direct reflection of the influences of both Davis and Jamal.
The John Scofield trio is a powerful ensemble of musicians. They combine soulful melodies with angular anthems. The trio's compositions are well-written and the playing is excellent. On 'Willa Jean', the piano is gospel-tinged, while the organ is percussive and angular. Other notable tracks are 'New Waltzo' and 'King Of Belgium', a tribute to Toots Thielemans.
Scofield's subsequent recordings continued in the jazz direction. The trio's 1991 release Grace Under Pressure showcased the group's ability to combine rock and jazz. The band also collaborated with guitarist Bill Frisell and drummer Joey Baron. The trio's '83 album, 'Speak,' featured Miles Davis and Gil Evans.
Miles Davis took an active role in the ensemble's evolution. He was interested in creating a sound as natural as a human voice, and he achieved this goal through careful arrangements and a relaxed melodic approach to improvisation.
Canadian poet Gregory Scofield has won several awards for his writing. His debut collection of poetry, The Gathering: Stones for the Medicine Wheel, was published in 1994. It won the Dorothy Livesay Poetry Prize. In 1996, Scofield was given the Air Canada Award, which is presented annually to promising Canadian writers under thirty. Scofield has written about his life experiences and those of his mother and aunt, Dorothy Scofield. His poems, especially Thunder Through My Veins, explore his childhood and family.
Scofield's career has a rich and varied background. Throughout his career, he has played with a number of notable musicians, including the late John Coltrane and the late Michael Brecker. His first album, A Moment's Peace, was inspired by a request from legendary jazz musician Vince Mendoza. Mendoza, the director of the Metropole Orchestra, had heard Scofield's music and wanted him to perform it. Mendoza had asked him to play on his debut album and wanted to work with him. He arranged some of Scofield's songs and collaborated on others.
Scofield has released over a dozen solo albums, including a tribute album to the late jazz great Steve Swallow. This album traces his influences to jazz, blues, and soul. His sound is fun and playful, punctuated by jagged phrases and lithe lines. Often, Scofield's playing is enhanced by a series of effects pedals.
In addition to being a jazz musician, Scofield was also a big band boss for the late Ben Webster and Charlie Parker. He worked with alumni of the Count Basie Band, including Paul Quinichette and Milt Hinton. During his career, Scofield has collaborated with other jazz giants, including Miles Davis and Medeski, Martin & Wood. His collaborations with artists like David Bowie, Elvis Costello, and Paul Simon demonstrate his versatility.
The songs of John Scofield about radio and music are among the most popular in the world. His songs are often humorous and witty, and he has written many of them himself. His music is often based on personal experiences. For example, he once wrote a song about his son, Evan, who died of cancer. In 2005, he sat in on two shows with Phil Lesh. He also played on a number of Phil Lesh and Friends shows.
In 2001, Scofield formed a band that included Adam Deitch, Avi Bortnick, and Jesse Murphy. They recorded two albums, "Uberjam" and "Up All Night", for Verve Records. In Up All Night, Scofield also featured Andy Hess. His enthusiasm for the project led to the formation of a two-guitar ensemble.
John Scofield is an accomplished jazz guitarist. He began his career playing with Miles Davis and eventually formed a successful solo career. Today, Scofield performs with the group Country for Old Men. They play 'outlaw country' tunes in their own style, improvising while maintaining the spirit of the original. Their latest album, Past Present, is up for two Grammy awards.
While the jazz guitarist was in the midst of a flu pandemic, he was also recording his solo album. Scofield, who has been a staple in the jazz scene since the early '70s, is a true musical polymath and master of many genres. The song "She Was Young" is a good example of Scofield's diverse range. His "Swallow Tales" recording features his bassist Steve Swallow and drummer Bill Stewart.
This set also features many of Scofield's original compositions. "Honest I Do," originally recorded in 1991, is dedicated to Scofield's wife. The album's other standouts are "Since You Asked" and "Trance Du Hour," which have both been hailed as '60s jazz a la Coltrane. While a little bit more laid back than his previous recordings, these songs still have great energy and are worth listening to.
Another highlight of the album is the horn trio. The album was produced by John Steineck and featured Bill Stewart and Steve Swallow. Scofield and the horn trio recorded the album on September 18, 2007. The band also released the album 'A Moment's Peace' in 2011. The director of the Metropole Orchestra, Vince Mendoza, requested Scofield to collaborate with him on the album, which was released in 2010. The album was the result of collaboration between the two men, both in terms of compositions and arrangements. The album also features a collaboration between John Scofield and Bill Stewart on the song 'Bass Desires'.
'Blue Matter' by John Scofield is a 1986 album that features the talents of bass guitarist Gary Grainger, drummer Dennis Chambers, keyboardist Mitchel Forman and percussionist Don Alias. The album is scored with four stars on AllMusic and has received positive reviews from critics like Scott Yanow.
'Groove Elation,' John Scofield's 1995 jazz album, features the talents of keyboardist Larry Goldings, bassist Dennis Irwin, percussionist Don Alias, drummer Idris Muhammad, and a four-piece horn section led by Randy Brecker. It was a critical and commercial success and Scofield has toured the world since.
Since his first album, Scofield has evolved and expanded his sound. His 1995 album is boppish, blues-inspired and laid-back, featuring piano doubler Larry Goldings, who is as important in the ensembles as Scofield himself. Goldings is also one of the most significant organists since Barbara Dennerlein and Joe DeFrancesco. The album features parade-like rhythms that have become a staple of Scofield's music.
"Groove Elation" is played at 103 BPM (BPM), or 26 measures/bars per minute. Scofield's solo work is both compelling and energizing.
If you are looking for a good John Scofield song, you've come to the right place. Heaven Hill by John Scofield is a song from his Slo Sco: Best Of The Ballads album. The song is a slow ballad and has a duration of 04:28. You can download the MP3 version of this song to your computer, or you can stream it on the web.
The song is written in the key of A. The keys to modulate are E (dominant), D (subdominant), and F#m (relative minor). Compatible open keys are 5d, 3d, and 4m. You can also use similar songs in similar keys, or similar tempos.
'The Nag' is a song by John Scofield from his album Liquid Fire: The Best Of John Scofield. It lasts for four minutes and eighteen seconds. The song has strong funk riffs and strong melodies. It also features gospel influences.
John Scofield has assembled some terrific bands and recruited inspired personnel for his albums. His latest release, Still Warm, shows his mature playing and his guitar sound, which he developed while working with Miles Davis. The band provides inventive support for Scofield, who knows how to move between the pop and jazz worlds.
'Mr. Puffy' by John Scofield is a fun song about an artist who lost his son to cancer in 2013. During his treatment, Evan would say phrases such as "Get Proud", "Enjoy the Future," and "Say It." John's nickname for Evan was "MR. Puffy." Evan and his father had a close bond.
John Scofield has had an incredible career spanning decades and genres. From playing with jazz greats at Carnegie Hall to jam bands in New Orleans, Scofield's music has taken many forms. His music draws inspiration from music of the early 1960s, New Orleans jazz, and acid jazz. In his new album, he's joined by guitarist Joe Lovano, who he played with on his quartet two years ago. He also has the help of bassist Larry Grenadier.
The John Scofield discography features more than 30 albums. The acclaimed American songwriter is still active today, touring the world for more than two hundred days a year. He also teaches at New York University. This comprehensive discography will help you discover his most important work. You might also like to read about his acclaimed albums, including 'Away With Words' and 'Country for Old Men'.
'Meant To Be' is one of the jazz guitarist John Scofield's early albums. It features a quartet made up of Joe Lovano on saxophone and drummer Bill Stewart, who would go on to record with Scofield for many years.
Meant To Be is a short seventy-minute jazz record that features 11 compositions by Scofield. The music is a blend of pop sensibility and jazz tradition, drawing influences from Miles Davis, Ornette Coleman, and Dewey Redman. It also features a stellar production from Don Grolnick. The album's eleven compositions have a distinct sound, ranging from boppish romps to wistful studies in melancholy.
Performing a one-man show with a looper, Scofield has been experimenting with the use of looping since before 'rona' took the world by storm. When 'rona' went global in the spring of 2020, Scofield's ability to loop riffs proved essential. The use of his trusty Boomerang led to months of musical experimentation and investigation. 'Meant To Be' by Scofield comprises solo tracks and looping.
Scofield's career has spanned over four decades. The early part of his career was spent playing advanced post-bop jazz. Later, he explored jazzier territory with Blue Note.
John Scofield's 'Away with Words' is a fantastic album of jazz that showcases his versatile style. The album was produced by Steve Swallow, who was also a member of the John Scofield Quartet. Swallow worked with Scofield on this album and also performed with Bill Stewart. The album includes some great tracks, such as 'No Matter What', a gospel tinged ballad, and 'Say the Brother'. Other tracks have a slightly synth-like bass guitar sound that works well in this style of jazz. The album also features a superb double bass performance by Dennis Irwin.
Throughout his career, Scofield has been putting together a great band and making inspired personnel choices. His most recent album, 'Still Warm,' was released on a different label, and it shows the growth of his playing and his love of Miles Davis's style. Scofield's band mates are equally at home in the jazz and pop worlds, and provide imaginative support for Scofield's solo work.
John Scofield's Country for Old Men is a jazz instrumental album that won the Grammy Award for Best Jazz Instrumental Album. The album features Larry Goldings on piano, Steve Swallow on bass, and Bill Stewart on drums. This album is considered one of the best jazz instrumental albums of all time.
Scofield's music is varied and inspired by a wide range of genres. His lyrical country ballads mix with fiery swingers. The album opens with a rock 'n' roll version of "Red River Valley." Then Scofield adds a tremolo guitar solo, and the album transitions into a bright swing.
The album's eclectic approach to country music shows on the album's second track, "Jolene." This song was ranked 217 in Rolling Stone's "500 Greatest Songs of All Time" list in 2004. The album's electric bass solos are reminiscent of jazz solos and cross several jazz styles while maintaining an earthy country sound.
Scofield's sound has changed over the years. His two albums on Impulse! sound better than ever, and on a good system, they sound even better. The soul of his music has never been stronger.
John Scofield's "No Matter What" is a great example of the artist's diversity. He worked with Phil Lesh and Medeski, Martin & Wood in the early 2000s, and their collaboration on this track reflects Scofield's musical renaissance. On 'Groove Elation', Scofield's guitar solo is accompanied by trippy background effects, perhaps a nod to the Grateful Dead aesthetic. The album also features a cover of George Jones and Dolly Parton, with Scofield contributing vocals as well.
Scofield's album features a mix of tunes, from melodic anthems to busy, saxophone anthems. The arrangements are strong, with great band support. Keyboardist Don Grolnick, who has worked with Scofield in the past, provides floating keyboard textures. Other musicians in the band include drummer Billy Higgins and double bass player Christian McBride.
Scofield's tone is genuine and his phrasing honest. He doesn't wear his influences on his sleeve, but his approach to songwriting is consistently clear. He is ably supported by drummer Brian Blade, bassist Scott Colley, and guitarist Larry Goldings.
John Scofield has released a new album, Hudson, which features local musicians from the Hudson Valley. The album contains original songs by Scofield as well as readings of songs by Dylan, Jimi Hendrix, The Band, and Joni Mitchell. The album features acoustic rhythm sections and jazz influences. The album is available on Amazon and iTunes.
John Scofield is a prolific guitar player and singer. The pair decided to collaborate in the mid-1990s, resulting in the album "I Can See Your House From Here." The album is mostly a dialogue between the two solistes, with Metheny playing in his characteristic melodic style and Scofield more traditionally.
After leaving Blue Note, Scofield delved into soul jazz and funk music, and formed a group with Larry Goldings, Dennis Idwin, Bill Stewart, and Idris Muhammad. The group's third album, "EnRoute," features Scofield and Bill Stewart playing jazz. The album was recorded live in December 2003 at the Blue Note Jazz Club. Following this, "That's What I Say," featuring the music of Ray Charles, led to performances with Mavis Staples, and the legendary avant-jazz trio Medeski, Martin, and Wood.
John Scofield is a jazz guitarist and composer whose music has spanned a range of genres. His style has been described as a combination of jazz, blues, soul, rock, and jazz fusion. In addition, he is also an improviser.
John Scofield has worked with Medeski Martin and Wood, a group that has been around since 1991. John Scofield's minimalistic bass part on the album Miles Behind, for example, showcases his prowess in playing bass. The trio relies heavily on analog synthesizers like Wurlitzers and Hammonds, and their music is more experimental than Sun Ra's. Despite their largely improvisational approach, these musicians retain elements of mainstream organ trios, like soaring leads and long evolving grooves. They also conjure the spirit of B-3 blues musicians and never quit until they reach classic funk.
In 1997, Medeski Martin & Wood teamed up with guitarist John Scofield to record "Ago Go". A year later, the trio released the Out Loud album, as Medeski Scofield Martin & Wood. Billy Martin spent a year collecting footage of the band, including 16mm and camcorder footage.
In 1996, the group signed to Verve Records after six years at Blue Note. The group played mostly acoustic instruments on their debut album Quiet, which was produced by Martin's father. It also included bass, drums, horns, and woodwinds.
Since their debut at Village Gate jazz club in New York, Medeski Martin & Wood has collaborated with a diverse array of musicians. Their latest album, Juice, continues to push the boundaries of American jazz. John Scofield has contributed to this album, which includes jazz-bent versions of classic Cream, Doors, and Dylan songs.
John Scofield is a versatile musician who has worked with a diverse group of musicians. His eclectic repertoire includes jazz greats like John Coltrane and George Porter Jr. He's also played with funk masters such as Herbie Hancock and Dave Holland. As a member of Medeski Martin & Wood, Scofield's orbits have crossed with those of Phil Lesh & Wood.
John Scofield is a multifaceted musician who has worked with the likes of Hank Williams and George Jones. On this album, he brings his many influences to bear. The album is divided into two parts. The first half introduces the country classic "Mr. Fool," which Scofield performed with George Jones. The second part consists of Scofield's reading of the old folk song "Red River Valley." The song begins with Scofield playing a high-fi rendition of the Rolling Stones song, which is then followed by a metrically challenging improvisation with his band.
Since his first album, Scofield has recorded with many different artists and has led several bands. His career has seen many peaks and valleys, and his music has evolved over the years. He specialized in post-bop jazz in the late 1970s and early 1980s, and also explored funk and New Orleans music during his stints with Miles Davis and Blue Note.
A true road warrior, Scofield is equally adept at recording as well as playing with other musicians. His album was recorded in three days and despite the tightness, maintains a looseness that is characteristic of jazz records. Scofield drafted the arrangements before the musicians entered the studio, but still left space for improvisation. The album also features an interesting juxtaposition of the spiritual and the reggae genres. While Scofield is not affiliated with any religion, he can relate to the messages of the songs.
Besides recording solos for Hank Williams, Scofield has also worked with other artists on several occasions. His ensemble work is both potent and idea-filled, and his collaboration with Stewart is remarkable. The drummer and bassist have been a staple in Scofield's life since their Verve debut.
Guitarist John Scofield is a unique improviser with a wide variety of styles. His playing is rooted in jazz, but he has also worked in the world of classical music and rock. He has been a major influence on jazz since the late '70s, and his unique sound stretches across genres. His music falls somewhere between post-bop and funk-edged jazz.
Scofield has a vast fan base and is a triple Grammy award-winning artist. He has recorded over 40 albums and has received many honors including Officier in the Ordre des Arts and Lettres from France. He is a well-known jazz icon, and his recordings are the result of many years of experimentation and hard work.
Scofield has performed with a range of jazz groups. He first made his mark during the fusion era, when he was a member of the George Duke/Billy Cobham band. He later joined Miles Davis's band for three years in the early 1980s, which further raised his profile. His electric albums in the mid-80s helped him cement his reputation as a popular guitarist. Since then, Scofield has focused on funk and jazz fusion, and has also toured with a jam band trio, Medeski Martin & Wood.
Scofield's career has led him to collaborate with some big names in music, and he studied at Berklee College of Music, a prestigious institution that has produced many notable musicians. Today, he is one of the most influential guitarists in modern jazz. His playing style is a unique blend of jazz and blues with a funky feel.
Despite his 66 years, John Scofield has been able to maintain a unique guitar sound. In recent years, he's been surrounded by younger musicians who have taken his distinctive sound into new directions. His latest album, Bump, released on Verve, mixes his signature tone with a variety of settings and styles. He's also recently toured with his band from the album.
The guitarist's sound has a distinct, loping quality. His guitar playing is both idiosyncratic and versatile, ranging from traditional blues to modern jazz. He has recorded and played live with many well-known artists in the genre, including Dr. John, Professor Longhair, James Booker, and others. While Scofield's guitar playing is clearly based in the blues, his country influences are evident in the songs he covers. "Not Fade Away" by Buddy Holly, for example, has a bo-diddly beat and a loping tone that bridges A and G.
Scofield also contributes dozens of weird guitar noises to the record, including rubbing his fingers across the strings of his guitar. In some songs, he plays the guitar backwards. On 'Animal Farm,' he even makes goat-like noises.
In addition to being a part of Miles Davis' group, Scofield has released several albums on his own. His first solo album Blue Matter was released in 1986 and his second with Medeski, Martin & Wood in 1998. His next album, 'Country For Old Men', won two Grammy Awards. It features an all-star rhythm section.
Scofield's music is influenced by many jazz masters, including Dizzy Gillespie and Chet Baker. He was also a jazz beatnik, and was influenced by Charlie Parker. The guitar player's guitar work with Miles Davis evokes memories of being a kid playing with legends. He played on an album with fellow jazz greats like Gary Burton, Larry Coryell, and Philip Catherine.
Loud Jazz is a studio album from jazz guitarist John Scofield. He is joined by bass guitarist Gary Grainger, drummer Dennis Chambers, keyboardist George Duke, and percussionist Don Alias. This album is a fusion of blues, rock, and jazz, and is one of Scofield's most successful.
John Scofield's guitar playing is considered to be among the best in jazz today. The guitarist has played with luminaries including Miles Davis and George Duke. He has also performed with bassist Phil Lesh of the Grateful Dead. His playing has inspired other jazz guitarists, including Joe Lovano and Dave Holland.
One of Scofield's trademarks is picking close to the bridge. This allows him to produce a piercing tone. The following example demonstrates how he accomplishes this. It features a two-part melody with a blues section and gospelish chord progression. Scofield is not merely picking on the string; he is smearing notes all over it. The guitar's head, meanwhile, is disassembled, reconditioned, and polished. It's also warmed up from friction.
John Scofield's guitar playing is unmatched in the jazz world. The musician has worked with legendary jazz guitarists like Miles Davis and Billy Cobham. He also plays with a postbop quartet with guitarist Joe Lovano. His new jam band-tinged jazz-rock band, Piety Street Band, supports him.
Another great jazz guitarist is Jimmy Green. The Arizona native began playing professionally at age fifteen. He worked with the Wrecking Crew. He embodied the 'cool school' of guitar playing that combined detached emotional restraint with technical virtuosity. He also worked as a record producer and appeared on the recordings of The Monkees and The Electric Prunes.
In addition to his guitar playing, Scofield mastered the use of a variety of effects pedals and guitar synthesizers. He even collaborated with hip-hop stars including Q-Tip. His career has spanned over four decades, and his virtuoso guitar playing is a constant source of joy.
John Scofield is one of the most unique and influential guitarists of his generation, and his style of fusion combines blues, jazz, and New Orleans music. His improvisational ability and melodic invention are unsurpassed. He has performed with Miles Davis and appeared on several landmark jazz recordings. He is also a prolific composer. He recently reunited with the legendary Blue Matter band. His unique style of playing combines jazz, rock, and blues influences with a sophisticated command of a modern jazz vocabulary.
John Scofield uses conversational phrasing to add depth and intensity to his melodic lines. In bars 5-12, he creates a countermelody line that answers the melody line in a call-and-response manner. This technique is called conversational phrasing, and it is common in big band arrangements. The melody line is usually answered by a background horn-section part. The background line is made up of notes that are the foundations of chords, with no extended notes.
Although the term "fusion" has lost its original meaning over the past quarter century, the original definition of the genre was the fusion of jazz improvisation and rock. Until the mid-1960s, jazz and rock were worlds apart. However, as rock musicians grew more innovative and aspired to play more experimental music, they began to share ideas and techniques.
Scofield's signature technique is picking close to the bridge, which gives him a thin, piercing tone. This technique is exemplified in Ex. 3, which uses A melodic minor and chromatic passing notes. Another example of chromatic passing notes is the F at the end of beat two. The phrasing is very effective, and the guitar player must keep his hands at their side while playing the lick.
Guitarists who wish to incorporate these techniques into their solo sets will benefit greatly from this CD. Songs featured on the CD include Autumn Leaves, I Got Rhythm, Cherokee, and Giant Steps. The CD also includes solos, examples, and tracks with a rhythm-only section for student play-along.
In 1957, Gunther Schuller coined the term "third stream," which describes a blend of jazz and classical music. Until then, jazz soloists have been burdened by string sections, which weighed them down.
Contemporary funk music has also emerged in the past few decades. This style is an extension of jazz, with influences from many ethnic traditions. Don Cherry's band, for example, has incorporated Indian music and jazz improvisation into their repertoire, while Tom Scott's band has added contemporary funk to its repertoire. Other notable players who have embraced this style include Michael Brecker and Richard Elliott.
Scofield has fused bebop vernacular with blues and soul to create a uniquely dynamic sound that's hard to put down. His tone and phrasing are sharp, his use of space perfect, and his personal way of bending a note evocative.
In addition to playing drums and horns, Scofield also performs on saxophone. The nimble, angular statements of Scofield's music are complemented by the hollow body tones of his drumming. His guitar work is also sharp, revealing his virtuosity.
Up All Night is Scofield's first album in a decade. It was released in 2008, and it's a great start for the veteran jazz guitarist. The band sounds tight, with Scofield and Nigel Gould providing a hypnotic atmosphere.
While most of the songs on this album are from the 70s, their repertoire ranges from soul jazz to blues to grooves with a funky edge. The group's repertoire includes material from Joe Sample, George Benson, and Herbie Hancock. They also perform originals from the Conspiracy theory project.
Lettuce is near the end of the VIBE UP Winter Tour and shared the stage with Scofield in SF. Known as LETT-SCO, the duo played six nights in SF. Each night, Scofield and Lettuce played 90-minute sets. Each set was thoughtfully executed, with Scofield clearly the star.
A funky groove-laden LP by the legendary jazz guitarist John Scofield features basslines and brass, and one original composition penned by the guitarist. The album's title track, "Madrone Art Bar," evokes the ambiance of a swanky San Francisco nightspot. The album also features a Michael Jackson song that Scofield interpolated.
Scofield has been steadily collaborating with younger musicians since his first collaboration with Bump in 1999. These younger artists have contributed as much to his sound as he has contributed to theirs. As Miles Davis did in the embryonic fusion era, Scofield has learned to connect with the next generation.