Capitol Records: famous record label in the United States

Capitol Records: famous record label in the United States


Capitol Records

capitol records

Capitol Records is a famous record label in the United States. It was the home of the Beatles, Bob Seger, and the Steve Miller Band. The label was founded by Johnny Mercer and is now part of the Capitol Music Group. Welton Becket was responsible for the design of the Capitol Records Tower.

Capitol Records was the U.S. record label of the Beatles

Before the Beatles' U.S. debut, Capitol Records was a strong backer of the group. They even bought into the Before With the Beatles campaign, which saw Capitol executives sporting wigs and posing as "British people." It was not known how much money Capitol Records would make with The Beatles, but the label's greed was evident.

The Beatles had a great deal of success overseas, but Capitol Records did not pay attention to it. Their success in the UK led to American artists touring in the UK and hearing "The Beatles" in their native land. In spite of this, the Beatles' success in the U.S. was largely ignored by Capitol.

As a result, Capitol slashed the length of the Beatles' albums and rearranged songs from different albums and singles. It was their way of covering up the album's album-by-album progression. Fans were angry and urged Capitol to reconsider their decision. After all, they still had a great deal of material to release. The Beatles had a massive catalog of songs to choose from, but Capitol's greed led them to cut a third of the songs.

In the late sixties, Capitol Records had planned to issue live albums of the band. They even recorded two Hollywood Bowl concerts. However, the release of Abbey Road was delayed until 1977. This release included a new version of "Girl" and included a lyric book. The album went gold in the U.S., and eventually was split into two budget line albums in 1980.

Capitol Records also decided to get involved with the picture disc trend. After the release of the film "Sgt. Pepper", Capitol decided to release the album on marbled vinyl in Canada. Although this was a unique choice for Capitol, other countries had different ideas. In America, colored vinyl was "in" too, with red, white, and blue vinyl among the many options.

Capitol Records was the home of Bob Seger and the Steve Miller Band

Capitol Records has been the home of a variety of rock and roll artists. In the early 2000s, the Steve Miller Band and Bob Seger both released albums on the label. Both bands' first albums were self-titled, and both were very popular. However, the band's sales suffered during the early 2000s, when the music industry experienced a downturn. In 2006, the sale of CDs fell by 4.9 percent and by 40 percent in January 2007. But despite the declining market, Capitol artists held top spots on the Billboard Hot 100 and Billboard Hot Country Songs charts.

Capitol Records was home to a variety of rock and country artists, including the Steve Miller Band and Bob Seger. Both bands' debut albums on the label were hit singles, with many fans buying them as a result. Capitol Records also released the albums of The Beach Boys, Bonnie Raitt, David Bowie, and the Beatles. They also recorded and distributed albums by artists such as Paul McCartney & Wings and Natalie Cole.

Capitol Records was a record label that was founded in 1932. In the first twenty years, the label signed artists like Frank Sinatra, Miles Davis, the Kingston Trio, and the Beach Boys. In 1967, the label's sales reached $100 million and won 16 Grammy Awards.

Bob Seger was no longer a prolific artist, but he did continue to make music. In the spring of 1986, he released his second studio album, called Like a Rock. The album's lead single, "American Storm," reached No. 12 on the Hot 100. The song also became associated with a Chevrolet ad campaign. In addition, the album led to a tour that spanned nine months and sold 1.5 million tickets.

Capitol Records was founded by Johnny Mercer

The first recording session for Capitol Records took place in 1942, under the supervision of Mercer. The recording featured Martha Tilton's song "Moon Dreams." Mercer combined his business savvy and musical expertise to make Capitol Records one of the most successful record companies in history. The label eventually achieved its first gold single with the Ella Mae Morse 45 'Cow Cow Boogie.' While this record may not be a classic today, it was a necessary first scalp to get the label started.

Mercer's father had been a successful attorney. At the time, the family's fortunes had fallen because of the Florida real estate crash. As a result, Mercer's father had to place his company into receivership to cover a $1 million loss. After this, Mercer decided to pursue singing. Although his first few jobs were as a bit actor, he returned to singing and lyric writing. He secured a day job at a brokerage firm while singing at night.

Mercer's record company was founded in 1942 with help from Glenn E. Wallichs, a record store owner in Hollywood. Mercer had met DeSylva and Wallichs while they were playing golf. During this meeting, they discussed the idea of creating a record label that would allow artists to have a greater role. Eventually, they recruited many talented artists for Capitol.

Mercer also began writing music for movies. He arranged songs for several top singers of the time, including Ella Fitzgerald. His first film assignment was for a B-movie college musical, "Old Man Rhythm." Mercer also played a small role in the movie. The next major film of Mercer's career was To Beat the Band, in which he worked with Fred Astaire. The two collaborated on the song "I'm Building Up to an Awful Let-Down."

Capitol Records Tower was designed by Welton Becket

Located near the legendary intersection of Hollywood Boulevard and Vine Street, the Capitol Records Tower is one of Los Angeles' most iconic buildings. It was designed by Welton Beckett, who also designed the Music Center, Cinerama Dome, and Santa Monica Civic Auditorium. The thirteen-story structure is the world's first circular office building. It was completed in 1956 and is still a prominent landmark.

After collaborating with Walter Wurdeman on the General Petroleum Building in 1949, Welton Beckett continued to work with the firm under his own name. Though he was no longer actively involved in the design process, he continued to take on major commissions. These included the Capitol Records Tower, the Los Angeles Music Center, and the Pomona City Hall. Welton Beckett died in Los Angeles in 1969.

The Capitol Records Tower is easily visible from the Hollywood Freeway and has been a landmark of Los Angeles since its opening. The building was designed by Welton Beckett and Associates, who were the largest architecture firm in the United States in the 1960s. The building is notable for its porcelain enamel continuous wraparound sunshades, seismic resistance, and technological advances for the time.

Welton Beckett was born in Seattle on August 8, 1902. After earning his architecture degree, he worked for several firms including Walton Wurdeman and Charles Plummer. The two partnered together on several projects in Los Angeles. The two also worked on the Pan-Pacific Auditorium.

Another famous building designed by Welton Beckett and Associates was the Equitable Tower, which was completed in 1969, the year before his death. It was the tallest building on the Wilshire Boulevard at the time of its completion.

Capitol Records' Hollywood Jazz Mural was restored by Richard Wyatt Jr.

The Hollywood Jazz Mural stretches across the entire south wall of the Capitol Records Building. The mural was created during the summer of 1997 by artist Richard Wyatt Jr. It was sponsored by the Los Angeles Jazz Society. The mural was restored in 2012, after Wyatt returned to the community. While the medium has changed from paint to tile, the concept and colors of the mural remain the same.

In order to restore the mural, Wyatt used a group of assistants to help him complete the work. He worked with four main assistants and another twelve people to finish the project. One of those assistants was Michele Evans, who worked alongside Wyatt to draw the tiles.

Despite the graffiti damage, the Hollywood Jazz Mural is one of the most popular works by American artists. Recently, Wyatt had his works exhibited in a documentary at Union Station. Born in Compton, California, Wyatt was interested in art at an early age. He used to stay after school to create the background for his school plays. His teacher eventually suggested that he should consider enrolling in an art program.

Located near Hollywood and Vine, the Capitol Records Building is a thirteen-story office building. The building houses several recording studios and is one of Hollywood's most iconic landmarks. The mural was not originally meant to be a tribute to the record player, but was instead designed to honor the music industry. It was completed in April 1956 and is the center of EMI's West Coast operations.

RCA Records

rca records

RCA Records is an American record label. It is owned by Sony Music Entertainment, a division of Sony Corporation of America. It is one of Sony's four flagship record labels. The other two are Epic Records and Arista Records. RCA has a long history of publishing popular music, and many of its artists are still active today.

RCA Victor

RCA Records is a major American record label, founded in 1907. It is owned by Sony Music Entertainment, a subsidiary of the Sony Corporation of America. RCA is one of Sony's four flagship record labels, along with Arista Records and Epic Records. The label has a rich history and diverse repertoire of musical artists.

During the 1930s, RCA Victor tried to make inexpensive records with their "Timely Tunes" label sold at Montgomery Ward. They also released records on the Bluebird label, which was originally only available on eight-inch records. They also created the Electradisk label, which was sold in stores such as Woolworths. These labels were largely unsuccessful, and the company tried a more professional-looking design for their labels.

In addition to its recordings of jazz, RCA Victor also produced a series of recordings featuring classic film scores. These included works by Erich Wolfgang Korngold, Alfred Newman, Dimitri Tiomkin, and Max Steiner. RCA Victor was one of the first companies to record music in stereo.

RCA Victor also released studio cast albums for stage productions. They recorded musicals such as Oliver! and The Sound of Music. These recordings are considered some of the best-selling soundtracks of all time. In addition, the label released a number of albums with all-white casts. In addition to their Broadway albums, RCA Victor distributed recordings of the original casts of popular films such as Damn Yankees, The Sound of Music, and South Pacific.

RCA Victor is also known for its innovation in sound reproduction. In 1958, they introduced the Living Stereo technology. This allowed listeners to hear the full sound of an LP. This innovation was made possible by the development of stereophonic technology and innovations in sound reproduction. RCA Victor introduced the Westrex stereo cutterheads and Scully lathes, which allowed recording artists to achieve high-fidelity audio quality.

RCA Victor's history can be traced back to the early days of the modern record. In its early days, the company focused on producing record players. Later, it became an imprint of RCA. As a result, it ceased manufacturing record players and ceased functioning as a separate record label. Today, RCA Victor releases are identified by their label on the packaging.

In the 1950s, RCA Victor's image changed significantly. It no longer used the lightning bolt logo. Instead, the company changed its logo to a futuristic-looking symbol. The label colors also changed from black to bright orange. This modern image of RCA was used for a long time, and was used into the 1980s.

In 1930, Victor Talking Machine Company merged with the Radio Corporation of America to create RCA Victor. The company also established a subsidiary in Canada. However, the 1929 boom was soon followed by the Depression-era economy. Record sales slowed considerably during this period, falling to fewer than six million discs - a tenth of the record-selling peak years in the 1920s. Victor was also facing competition from the newly formed American Record Corporation.

RCA Victor was founded in 1902. Its Camden warehouse had four floors of records, including vault masters (pre-tape wax discs). Vault masters were also stored there. RCA also retained some of the important masters, including those of Enrico Caruso and Arturo Toscanini. However, the company did not save any of the masters of Sergei Rachmaninoff.

David Sarnoff was an entrepreneur who helped the company grow rapidly. RCA was able to use his personal wealth to expand its reach to the masses. During the early 1920s, the company became one of America's largest companies. Sales of radios jumped from a hundred to more than a million a year. As a result, he became a multi-millionaire.

In 1929, the company acquired the Victor Talking Machine Company, which was the world's largest phonograph maker. This merger led to a boom in the radio industry, and the waterfront RCA-Victor complex was the largest radio manufacturer in the world. This merger created a unique, multi-national corporation.

Victor issued some of its best records in the 1920s, and it became increasingly popular as the company began to expand outside of its homeland. Records on RCA Victor were often made in the UK. Victor issued a variety of recordings, including some from Canada. In 1924, it released the first "Orthophonic" records in the U.S. The label's ornamental design was a recent addition, and it was intended to be an homage to the country and folk genres.

RCA Records has been a record company for over a century. It is now part of the Bertelsmann Music Group. The company's subsidiary labels are Sony Music UK and RCA Red Seal Records, which is a classical music label. The company also owns RCA Cinematre in France, which was founded in 1978.

RCA connectors are widely used in audio equipment. They are available in two types, a male plug for analog audio and a female jack for digital audio signals. In professional settings, balanced connections are preferred. This allows for long cable runs and reduces susceptibility to external noise. In some situations, a balanced connection is not possible.

The Drifters, Wilson Pickett, and More From Atlantic Records

atlantic records

In the 1960s, Atlantic distributed the titles of a variety of regional independent labels. These included Dial, Karen, Rosemart, Don Covay, Willie Tee, Nola, Dade, Correct-Tone Records, Lu-Pine Records, Keetch, Royo, Sims, and more.

The Drifters

The Drifters began as a four-man band, a formation led by Dock Green. The group performed in the 1970s and 1980s, and their lineup included Green (lead/baritone), Derek Ventura (second tenor), and Bernard Jones (bass/baritone). However, their lineup was subsequently changed, as Green died in 1989, and Phillips died in 2002.

The Drifters' first album was released in January 1954 and included "Such a Night," a song written by Jesse Stone under the pseudonym of "Charles Calhoun." Atlantic also included the title track "Lucille," which was the only song recorded during the band's first session. The band opened shows at the Howard Theater in Washington, D.C. on January 15 and the Royal Theater in Baltimore on January 22.

The Drifters were an R&B group from New York City, and their sound was influenced by gospel and swing. During the group's time on Atlantic Records, they underwent several line changes. Their songwriting team included Jerry Leiber and Mike Stoller, while songwriters Doc Pomus and Mort Shuman contributed to the band's catalog. They also adapted their style to fit the changes in the style of popular music during their tenure at the label.

The Drifters were not the first group to use the name "Drifters." The band was preceded by the Pre-Atlantic Drifters. In fact, Warren and the group had been toying with the name "Drifters" for some time before they signed with Atlantic. A trade paper item from July 1953 mentions a "new group" but does not mention the word "Drifters." The Drifters were officially named in the fall of 1953, after their first Atlantic session.

In 1966, the band was scheduled to record "Under the Boardwalk" on May 21. Tragically, lead singer Rudy Lewis died the night before the session. The band went on to tour for the next year, replacing the departed singer with Ben E. King. The lineup also included Charlie Thomas, Dock Green, and Elsbeary Hobbs. The fifth member was James "Poppa" Clark.

The Drifters on Atlantic Records were the first group to be signed to the record label by George Treadwell, a jazz trumpeter and the husband of legendary singer Sarah Vaughan. However, despite their many members, the Drifters never made much money. In fact, McPhatter later expressed regret for selling the group to Treadwell.

Clyde McPhatter was the lead tenor for The Dominoes and The Drifters on Atlantic Records. Their album Atlantic 1092 was released in April 1956. The title track, "Treasure of Love," is a sweet ballad that catches the ear. It is backed by a big band and pop vocal groups. Overall, the record should move into pop.

Wilson Pickett

Wilson Pickett, who signed with Atlantic Records in 1974, was a charismatic stage performer who had little direction in his vinyl career. He left Atlantic at the beginning of the decade. However, he was still prolific, and recorded a wide variety of material. Throughout the decade, he also worked with the songwriting team of Kenny Gamble and Leon Huff from Philadelphia. This included Don't Knot My Love Part 1 and "Don't Let The Green Grass Fool You."

Pickett had a number of hit singles and was a major figure in the rise of soul music in the US. He recorded more than fifty songs, most of which reached the top ten of the R&B charts and occasionally crossed over to the Billboard Hot 100. Songs such as "Mustang Sally" and "In the Midnight Hour" are among the best-selling singles from his career. He was awarded the 1993 Pioneer Award by the Rhythm and Blues Foundation for his contribution to soul music.

After leaving Atlantic Records, Wilson Pickett turned to RCA, where he found more success. His RCA albums still made the R&B charts, but he was no longer a factor in the pop charts. Nevertheless, he continued writing music for other artists, including Van Halen, The Rolling Stones, the Grateful Dead, and Led Zeppelin. In 1991, Wilson Pickett was inducted into the Rock and Roll Hall of Fame. The Hall of Fame cited Pickett's innovation and contribution to the genre.

Wilson Pickett was born on March 18, 1941, in Prattville, Alabama. He later moved to Detroit, Michigan, where he joined a gospel group. In 1959, he left gospel music to pursue the secular music market. With this, he was able to make his way to the top of the R&B charts and the Hot 100.

In addition to releasing his own records, Wilson Pickett also worked with artists such as Ben E. King, Solomon Burke, and Joe Tex. He was also featured in the award-winning film "The Commitments." In 1991, Wilson Pickett was inducted into the Rock and Roll Hall of Fame. Along the way, however, he had to go through some tough times. In 1993, he was convicted of drunk driving and sentenced to a year in jail. He also was charged with various drug offences.

Pickett's success at Stax Records paved the way for Stax to become an independent company. By 1968, Stax had a stable of superstars that would become a staple in the Southern soul and '60s R&B scene. He also established Memphis as a major music city.

Pickett was already a star in the late 1960s, making the rounds of television talk shows. In addition to recording his own songs, he had several successful cover versions of popular songs such as the Beatles' "Hey Jude" and the Archies' "Sugar Sugar." In 1971, Wilson Pickett's sound shifted from R&B to the popular genre of pop music. He recorded songs such as "Sugar Sugar" and "Dear Daddy."

Columbia Records Contact Information

columbia records contact

If you're an artist who would like to get signed to Columbia Records, you can begin by sending a press kit to a major agency. Tell them that you're interested in signing with Columbia, and they'll act as a go-between for you and the Columbia executives. You shouldn't send demo CDs directly to the Columbia executives; they rarely listen to demo CDs and deal with phone calls, so agents are a good way to get their attention.

Careers at Columbia Records

If you're interested in a career in the music industry, you've probably already heard about Columbia Records. The company is an American record label, and is a subsidiary of Sony Music Entertainment. A Japanese conglomerate, Sony owns Columbia. The company was established on January 15, 1889, and evolved from the American Graphophone Company.

Columbia Records offers a variety of job positions and compensation packages. The highest-paying job at the company is Director of Sales, with an average salary of $149,747. The lowest-paid job is Community Manager, with an average salary of $19,338. Other job categories include Sales, Marketing, and Finance.

As Executive Assistant to Columbia Records' CEO, you will be responsible for overseeing all aspects of the record label. As such, you'll need to be organized and detail-oriented. You'll also need to work with all levels of employees, management teams, and various external clients. This position requires strong organizational skills and a passion for music.

For more information on the Columbia Records culture and company culture, explore Zippia. The company's diversity score is based on a variety of factors. While employees are self-reported, Zippia uses proprietary data from other companies to make a comprehensive comparison. This data can be found through various sources, including BLS data, company filings, and H1B filings.

Locations of Columbia Records

You can contact Columbia Records by phone, email, or postal mail. The company's address is 550 Madison Ave. in New York, NY, 10022. You can also visit their website to learn more about their products and services. You can also find the company's contact information on their website.

Columbia Records had some of the finest sound recording studios in the business. Its studio on Seventh Avenue in New York City is where Bob Dylan recorded "Like A Rolling Stone." Other famous artists recorded their albums at Columbia's "Studio A." Other studios include 207 East 30th Street, 49 East 52nd Street, and Columbia Studios on the west coast.

Columbia Records is part of the Sony Music Entertainment company. The label has more than three million albums on its label. It also owns Sony Music, one of the largest music companies in the world. The company also owns RCA and Epic records. Its artist roster includes artists from many genres.

Columbia Records acquired the Okeh record company in 1926. Soon it was the leader in jazz and blues. It signed musicians like Louis Armstrong and Clarence Williams to its roster. The company nearly went out of business during the Great Depression, but the Chuck Wagon Gang's success helped the company survive. In 1938, Columbia Records was purchased by Columbia Broadcasting System, which began a long-term partnership between the two companies.

Columbia Records is based in Washington, D.C., but its roots go back to 1891. Graphophones were first recorded in this city. The company used a recording stylus to record sound vibrations on wax-coated cardboard. A year later, they started selling disc records.

During the 1950s, Columbia became the most successful non-rock record label. Its founder, Mitch Miller, was a classically trained oboist who had worked with the Mercury label. He also was a friend of Goddard Lieberson at the Eastman School of Music.

Columbia Records began recording music in stereo in 1956. Their first stereo LP was released in September 1958. Most early stereo recordings were classical. Eventually, the company began releasing pop stereo albums. Its "greatest hits" compilations were released side by side, and eventually, stereo-quality versions of the same LP appeared.

Employees at Columbia Records

Employees at Columbia Records are extremely happy with the quality of their coworkers, with a majority rating the quality as "A+." Columbia Records employees are also very positive about the company's culture. Three-quarters of respondents rated meetings as "effective," while 67% said they looked forward to their interactions with coworkers.

Columbia Records' strategy for success has always been innovation. Since its founding, Columbia has been at the forefront of technological innovation. Today, it is part of the Sony family, and continues to be a leader in the music industry. In 1926, the company acquired the Otto Heinemann Phonograph Corporation. In the years that followed, Columbia signed many artists to its roster, including Louis Armstrong, Bix Beiderbeck, Clarence Williams, Mamie Smith, and many others.

Columbia was one of the first record companies to sell disc records. This innovation allowed the company to compete with the booming phonograph industry. The company's first catalog came out in 1891, and by 1900, they were selling 5,000 discs a month. In 1901, Emil Berliner invented the Gram-O-Phone, which uses flat discs with lateral cuts to improve the quality of sound. This technology helped Columbia become the first company to sell seven-inch discs and 78 rpm discs. It also produced double-sided records and introduced the "Grafonola," a portable sound reproduction device that competed with the Victrola.

In the 1930s, employees at Columbia Records began organizing trade unions. One of them was Herbert M. Greenspon, who was 18 years old at the time. He was elected president of the local Congress of Industrial Unions and negotiated the first contract between the workers and the company's management. After several years of activism, Greenspon rose to the position of executive vice president at Columbia Records.

The company has more than 9,000 employees and has a long history of success. The company's structure has changed several times, most recently when Sony Music Entertainment bought Columbia Records and restructured the company into four labels: Columbia, CBS, and Sony Music Entertainment. Employees at Columbia Records have a great variety of responsibilities.

Some of the most important jobs at Columbia Records include being an executive assistant. This job requires an individual with great attention to detail and a high level of organization. The executive assistant works closely with the CEO and his team, as well as artists and management teams. The role also involves working with a team of people, ensuring that projects are moving forward and communication is efficient.

Another major change in the company's structure was the rechanneling of albums from mono to stereo. This allowed Columbia to release stereo versions of classic albums.

Columbia Records Demo Submission

columbia records demo submission

When submitting your music to Columbia Records, be sure to send a press kit and cover letter explaining your intentions as an artist, the type of music you are interested in making and the genre you hope to reach. You should also mark your demos with a copyright symbol and the copyright owner, and provide a track listing and lyric sheet so that listeners will be familiar with your writing style.

Art's career as a record producer

Art's career as a record producer has many potential benefits. The global pandemic has created an increased demand for recorded music to accompany visual media. As a result, some industry veterans predict that record production will bloom once again, much like the Roaring 20s did. This means that Record Producers will have more opportunities than ever before to make a name for themselves.

John Hammond's career as a record producer

The late John Hammond made his name in the recording industry in the early 1930s. Born in New York, Hammond studied violin and viola at Yale University, but it was his passion for music that drew him to become a record producer. In fact, he dropped out of school at age 21 and began his career in the music industry. In addition to his work as a record producer, Hammond also worked as a disc jockey and music critic for various publications. His first success in this industry came from the recording of jazz pianist Garland Wilson, whose songs sold thousands of copies.

While working for Columbia Records, Hammond met Billie Holiday. They discussed how they worked together and how they came to know each other. They also spoke about the importance of unity and racial equality in the music industry. Hammond went on to become the vice-president of Mercury Records and executive producer for Columbia Records.

In addition to his role as a record producer, Hammond was also active in the community, serving as a board member of the National Assn. for Colored People (NAACP). He also covered the Scottsboro Boys' trial for The New Republic and The Nation. Hammond continued to write about his musical discoveries and was active in civil rights issues. He helped striking coal miners in Kentucky, reported on the Scottsboro case for the Nation, and was an active member of the NAACP.

In addition to producing countless albums, Hammond influenced numerous artists throughout the decades. From Bob Dylan to Bruce Springsteen, he brought many artists to the attention of the public. He also organized the famous Carnegie Hall Spirituals to Swing concert in 1938. In 1972, he signed a talented folk singer named Bruce Springsteen to Columbia Records.

During his time at Columbia, Hammond worked as a recording director. Later, he worked at other labels, including Mercury Records, which specialized in classical music recordings, and Vanguard Records, which produced some of the first high-fidelity jazz recordings. Ultimately, he retired in 1975 after being inducted into the Rock and Roll Hall of Fame. He died in 1996 at the age of 76.

Columbia's catalog numbering system

In the early 1970s, Columbia's catalog numbering system changed, and a new unified system was introduced. During that time, the catalog numbering system did not correlate mono and stereo versions. In fact, until about two years later, there was no way to determine which version a particular record was. In the early years of the new cataloging system, the highest catalog number was CS-1069, a recording by Sesame Street. However, the system soon reached a point where it became a problem and Columbia implemented a temporary solution by transitioning back to the old four-digit system.

The Columbia labeling system began in 1903. The company's first LPs featured two white labels with two arrows flanking the legend. From there, the labels were red, and the word "COLUMBIA" was centered around the edge. The labels were printed with the same information as on the LP, but were different. In 1909, Columbia had contracted with stars from the New York Metropolitan Opera to record their recordings. However, the quality of Columbia's recordings was not as high as that of Victor Edison or His Master's Voice.

In 1923, the Columbia numbering system changed after the company's receivership. Singles were now issued with a four-digit catalog number (DB), and numbered with the A or D prefix instead of the original three-digit system. The system was similar to that used by BMG, with the first digit replaced with six for CDs and 12" singles.

The American label Columbia began as a separate label in Europe. Philips had been its distributor for many years, but CBS Records broke away and used a four-digit numbering system. It was then able to release recordings on a separate label, and the prefix became a simple four-digit sequence starting with CBS 1001. After the breakup with Philips, CBS also began issuing releases from other labels, such as Epic and Portrait, and even CBS Masterworks Records and CBS.

Although this system had some issues, the basic numbering system was unchanged. The D suffix was used to identify records by African Americans and Hawaiians. In addition to that, the label order for ML 4001 was placed on March 1, 1948. By June 21, 1948, Columbia had begun pressing LPs for dealers. Although the numbering system has been somewhat revised since then, the system has not been fully replaced.

Art's relationship with Bob Dylan

Bob Dylan is a legendary recording artist best known for the songs "Blowin' in the Wind" and "Subterranean Homesick Blues." The artist was inducted into the Rock and Roll Hall of Fame in 1988, and has since received numerous awards, including the Pulitzer Prize Special Citation, the French Legion of Honor, and the Presidential Medal of Freedom. His catalog of recorded work is estimated to be worth $300 million, and his career is thriving.

Bob Dylan's work has influenced music history for decades. He's been compared to the works of Van Gogh and Dylan has been considered one of the greatest poets of the twentieth century. His music has influenced generations of musicians and has won many awards, including a special citation from the Pulitzer Prize Board for his impact on American culture and popular music. His album "Together Through Life" was released in 2009, and debuted at the top of both the British and American album charts. Dylan's career has also included performing as late as his seventies. His music has ranged from his classic blues to Frank Sinatra standards.

Bob Dylan's sexism is legendary. His albums rarely feature women, and sexist imagery dominates his lyrics. His songs also tend to cast women into narrow tropes. As Jonathan Lethem pointed out in his essay "The Ecstasy of Influence," Dylan borrows heavily from other artists.

Bob Dylan later returned to the studio to record Nashville Skyline, helping to launch the genre of country rock. However, Dylan's lyrics and reputation were still subject to criticism, despite his position as a cutting-edge artist. Dylan's demo submission, The Great White Wonder, was released in an independent record store and its distribution methods were shrouded in secrecy.

Bob Dylan's relationship with Art Satherley is equally controversial. After all, it's difficult to imagine a singer or songwriter not being heard by a record company. In addition to a revolving door between producers, American Record's hillbilly department was being dissolved, and the label's hillbilly division was being consolidated into CBS, with the merger of RCA and Columbia.

Columbia Records Wikipedia

columbia records wikipedia

Whether you're a collector or a casual music fan, you'll find plenty of information about Columbia Records at Columbia Records Wikipedia. Whether you're interested in Matrix recordings or LP's, you'll find the information you're looking for. This article will cover everything from the catalog numbering system to Artists.


Columbia Records is one of the leading labels in the music industry. The label has a long history of recording artists such as Bob Dylan, Aerosmith, and Julie Andrews. It has also released albums from Louis Armstrong, David Bowie, Cheap Trick, Earth, Wind & Fire, and Simon and Garfunkel.

During its early years, Columbia focused on Broadway musicals and later released soundtrack albums of popular movies. The company began releasing albums in the 1950s. This transition allowed Columbia to create more unique, custom-branded products. The company's "Royal Blue" series was particularly popular. The label featured a brilliant blue laminated record with a white label. Collectors today often prefer this type of Columbia record.

The first Columbia 12-inch series was released in 1951. Initially, it used a black label with silver print. The label used the GL prefix, but this was later dropped. Later, Columbia started using a red label and the CL-prefix. These albums were released in two formats, stereo and mono.

Columbia Records was one of the earliest to introduce a new format for LPs. They began to experiment with longer-playing discs and increased their fidelity. The company's first LP was The Voice Of Frank Sinatra, a reissue of a Frank Sinatra record. This new format replaced four 78 rpm records and became the standard for the industry for 50 years. Columbia Records also began issuing 45-rpm records in 1951, two years after RCA's introduction of the format.

The company also released LP's by various artists and commercial companies. Some of these were issued as special products for commercial companies such as Zenith and Goodyear. Doris Day fans have a particular interest in these special products, and they are now readily available on Ebay. Sadly, sellers are asking far more than the LPs are worth.

The success of the LP was largely due to the efforts of Columbia Records. Although it was not the first to try to make a long-playing disc, Columbia was the first to commercialize it. The company used a combination of vinyl and 33 1/3 revolutions per minute, which allowed the record to fit 20 minutes on each side. The microgroove was a key factor in making the long-playing disc a success.

Matrix recordings

There are several ways to identify the various versions of the Matrix recordings that are available on CD. Collectors are particularly interested in recuts that contain audible differences. Some recuts are merely different takes, while others have been altered to include different lyrics. These censored recordings were often distributed as promo editions to radio stations. The recut versions are often identified by the suffix "-RE", which does not necessarily mean that the recordings have been released to the public.

Although both Mercury and Capitol Records mastered the single, the labels of the Matrix recordings were not the same. For example, the singles from Columbia Records are different in that the matrix number of the promo-only LP shows a 1B, 1C, or 1D instead of an 'A'.

The Matrix series of recordings were created by Hammond for the UK Columbia label. These special series of records were not issued in the US, primarily due to the bad economy. However, many of them were released on CD and were considered to be classics. For example, one of the most popular records from Columbia was the soundtrack of the movie School of Rock.

Matrix numbers are also often quoted as evidence of the original "first pressing" of a record. However, collectors generally do not use this term, since records are often pressed in batches. Nevertheless, one batch of identical records is considered a single "pressing". If, however, major changes were made to the recording, the second pressing would be called a "second pressing".

In the early days of the Matrix, wax-coated zinc plates were used as recording surfaces. The wax-coated zinc plates did not last very long. However, they were not discarded altogether, and Berliner purchased the rights to electroplate the metal plates. As a result, there were many copies of each recording.

The label for the record may have additional information about the recording. These extra details may also include the cut number. The cut number is usually a suffix to the main number. For example, a label may have the matrix number 12345, while the run-out groove area shows the number 12345-3, which indicates the third cut of the side. The cut number may be different for each side.

Catalog numbering

Columbia Records began using a four-digit catalog number for albums beginning in 1951. They used this system until 1970, when it reached an awkward milestone with the Patti Page album Honey Come Back. After thirteen years, Columbia decided to switch to a two-digit system. Instead of the four-digit CS-10000, Columbia issued albums starting at CS-1000. This allowed them to reuse the 1957-58 album numbering scheme, and even changed the prefix to the same letter.

Records were initially released with a specific catalog number, although they did occasionally release discs out of numerical order. This was unusual after 1904. Columbia generally released new releases each month. The official month of release is the month in which the record first appears in the monthly supplement. However, Columbia allowed dealers to place new releases on sale as early as a week before the end of the preceding month. As a result, a "January" release would have actually been available in late December.

The LC Catalog indexes the paperwork collection at Columbia Records. It also groups items by name, subject, location, and occupation. This is a useful tool for identifying individual items in the collection. The collection's record label is also listed, as is its former rival, RCA Records.

In the 1950s, Columbia Records became the most successful non-rock record company. The company's founder, Mitch Miller, had been an oboist and a bandleader for Mercury. He later became the executive vice president of Columbia and eventually retired. In 1937, Columbia hired music writer and producer John Hammond.

In the late 1940s, Columbia Records introduced 7" 33 1/3 rpm singles. The catalog numbering system for these singles began with the prefix "1", and low numbers were three digits. The company initially resisted the issue of 45 rpm singles, which had been pioneered by its rival, RCA Victor Records. However, they eventually began to issue these records under a standard system that employed the same numbering for all formats.

While this system is standardized, there are some differences. A typical catalog number begins with a descriptive biography. It should contain information about the artist, their career, and any consistent themes throughout their work. A catalogue should also contain high-quality photographs. It is also important to make notes about each piece of artwork in the collection.


If you're interested in discovering the artists who have recorded for Columbia Records, you've come to the right place. This list includes past and current artists, and you can search by genre or album title to learn more about each artist. You can also look up each artist's discography at Ranker.

Columbia Records started out as a non-rock label. After the war, Mitch Miller was lured away from Mercury Records to head Columbia Records' Artists and Repertoire department. In the 1960s, the company began to sign singers like Bob Dylan, Doris Day, Rosemary Clooney, and Johnny Mathis, earning them a reputation as one of the world's most successful recording companies. It was not until the late 1960s that the label began to make significant rock music. However, this didn't stop Columbia from bidding for Elvis Presley's contract with Sun Records.

As the years went on, Columbia began to enter the West Coast rock market with a state-of-the-art recording studio in San Francisco, which later became Automatt. They also hired George Daly, a producer for Monument Records and a former member of Nils Lofgren's band. In 1977, Columbia Records opened an A&R office in Fisherman's Wharf, where they worked until 1978.

Columbia also sought to sign southern gospel artists. Charles Davis Tillman and the Chuck Wagon Gang were recorded exclusively for Columbia. Eventually, the Chuck Wagon Gang became Columbia's top-selling southern gospel group, with at least 37 million sales. Columbia also signed Johnny Cash and Carl Perkins in the 1960s.

The company's first stereo albums were released in the summer of 1958. These albums were mostly versions of mono albums. This trend continued until the late 1960s, when simultaneous stereo albums became the norm. RCA responded to the new technology with another quadraphonic recording process. This required a special cartridge, but it could be played on conventional stereo equipment. The RCA Quadraphonic matrix recordings were not as successful as the Columbia's.

Columbia Records has experienced a resurgence in the mainstream music scene in recent years. Founded in 1887, the label has featured a long list of popular artists. Bob Dylan, Patti Smith, and Bruce Springsteen have all been featured on the Columbia Records roster. The company has sold over 10 million albums and 33 million songs.

The Columbia House Brand

columbia records club

The Columbia House brand is an umbrella name for Columbia Records' mail-order music clubs. Its primary incarnation was the Columbia Record Club, which was founded in 1955. Its brand presence was particularly strong in the 1970s, 1980s, and 1990s. This article looks at the Columbia House brand and its history.

RCA Victor Record Club

The Columbia Records Club is a great place to start collecting your favorite albums. Both labels offer a diverse range of music. Some of these labels have been around for decades. They both started out as low-price labels that released jazz, country, and blues. These labels also offer a variety of reissues of historical titles.

RCA Victor began issuing LPs in the 1950s. The first LP was Gaite Parisienne by Jacques Offenbach, recorded by the Boston Pops on June 20, 1947, and given the catalogue number LM-1001. Non-classical albums were issued with the prefix "LPM" and classical stereo albums were labeled with the prefix "LSS". The prefixes were used until 1973.

In the 2020s, RCA had a successful lineup of artists. Artists like Bryson Tiller, Alicia Keys, and Pentatonix released albums under the label. In addition to those artists, RCA also released a number of popular albums by Doja Cat and Nicki Minaj. Other popular artists that have released albums under the brand include Chris Brown, Miley Cyrus, Doja Cat, and Grayson Hugh.

Victor Records Club members were given free albums from their favorite label. This allowed them to choose their favorite record from a variety of different artists and genres. The Victor catalog also featured Program Transcriptions. The RCA Victor Record Club was a great way to collect your favorite recordings.

There are several ways to join the club. The most common way is by recommending a friend. A friend can sign up for the club with you and receive twelve free records. It is also possible to refer friends, and the Columbia Records Club has a referral program where you can get 12 records for only $2.86.

In the 1920s, Columbia Records began to sell records to consumers. In 1926, it acquired Okeh Records. The company's roster included some of the greatest names in jazz and blues. These artists included Louis Armstrong, Clarence Williams, and Bessie Smith. Eventually, the company was acquired by Sony, and the company renamed its subsidiary to Direct Brands, Inc. The company also acquired Book Club operator Bookspan.

RCA Victor also released some of the most memorable soundtrack albums in the history of music. Its catalog includes the soundtracks of musicals like Oliver! and South Pacific, among others. It has also issued many Broadway cast albums. Some of these were reissues of early RCA albums. In 1963, RCA also founded an Australian subsidiary, RCA Records Australia. RCA Limited Australia and New Zealand in 1976, which then changed its name in 2006 to its current name.

Capitol Record Club

The Capitol Record Club was founded in 1958. It competed with Columbia and RCA Records for the mail-order record club market. Initially, the club offered only Capitol releases, but in 1964 it started offering other labels' releases as well. In 1968, Capitol sold the rights for record club editions to The Longines Symphonette Society, but the club continued to press non-Capitol releases. The club eventually closed in 1975.

In addition to its catalogue, Capitol Record Club published a monthly magazine. The magazine listed upcoming Club releases and featured "Selection of the Month" listings. Eventually, the club closed because of dwindling membership and sales. Its catalogue was licensed to other companies, including Columbia Record Club - Columbia House, and current release titles to RCA Music Service.

Records pressed for the club were given a unique numbering system, with an extra "8" after the prefix. The first "1" of the 5-digit catalog number was replaced with an "8." However, the numbering system used by Decca changed a bit to reflect this change, with a "8" added to the prefix for Club releases.

Capitol Music Group's label roster includes Capitol Records, Blue Note Records, Astralwerks, and Capitol Christian Music Group. Its headquarters is located in Hollywood, California, in the iconic Capitol Tower. The label's roster includes artists like Beck, Halsey, Gregory Porter, and Sam Smith. Founded by music retailer Glenn Wallichs, Capitol has been the home of many world-renowned recording artists.

In 1964, Capitol Record Club began licensing deals with other labels. As a result, most Capitol releases released for the Club were identical to those released for retail. However, Capitol also issued special "club-only" releases that were sold in the regular retail market. These were numbered in the 90000 series. In addition, some records were only released by Capitol, but still featured the original company's catalog number.

Columbia Records' Family Record Club

In 1955, Columbia Records introduced a record club to their customers. The club was designed as a marketing tool to promote their long-playing microgroove 33-1/3 rpm records. Unlike CDs, these records were lightweight and virtually unbreakable. Members were rewarded with a free record when they joined the club. In addition, they could access new catalog titles six months after they were released in stores. The club was popular and successful, eventually boasting over 125 thousand subscribers and a $7 million annual sales record.

Today, the company's three plants in the Central Coast stamp out one hundred thousand album records and 50,000 singles a day. These three plants operate seven days a week, including holidays. This helps the company meet the demand for albums at the Christmas season, when a large chunk of its profits are made.

The Columbia Family Record Club offers members the chance to purchase a wide range of music and have exclusive access to new releases. The club's members can also participate in exclusive events and promotions. The club is also open to the public and anyone can join, even if they have a limited budget.

Although Columbia Records was one of the last major labels to realize that the market for youth recordings was a lucrative one, it became increasingly aggressive in the 1960s. During this period, the company signed up Elvis Presley, who had only a minor rock star career. His Columbia Records career started in earnest in November 1944, and it spanned three months, spanning several albums, including his hit single, "Nancy."

During the 1950s, Columbia Records was one of the top five record labels and had over one hundred releases a year. Although the label focused on middle-of-the-road and mainstream music, the company was also putting out some of jazz's most notable albums. The label offered artists lucrative contracts and spent marketing dollars to promote them.

Columbia House

The Columbia House Records Club is one of the oldest music subscription clubs in the world. In 1991, its membership reached ten million. It was a great way to find great music and artists and to save money. However, the club has suffered from scams and disreputable members. The club was a victim of a widespread fraud. The members were scammed by creating fake accounts and providing fake credit card information. The company had no way to stop the scammers.

The business model of the club was based on "negative option billing." When members received a new album, they were automatically billed. If they didn't want it, they had to send in a selection card within 10 days to cancel the subscription. This method was common in subscription retail but is seen as unethical. The downside of negative option billing is that it is easier to sign up for a subscription than to cancel it later.

In the mid-1960s, Columbia House hired Les Wunderman, who was considered to be the father of direct marketing. His work with this company led to the creation of a database, a 1-800 number, and a magazine subscription card. He also developed the "12 for a penny" concept and introduced the post-paid insert card, which allowed subscribers to purchase records without a large upfront fee.

The Columbia House Records Club was a mail-order music distribution service. The music club was a cheap way to build your personal music collection. It also allowed customers to buy the albums they really wanted at full retail price. That way, they could avoid paying for expensive albums out of pocket. And, unlike many other music subscription services, the Columbia House Records Club had an excellent reputation in the industry and a large number of satisfied members.

While it is possible to get free music from Columbia House, there are certain legal loopholes. The company will continue to chase the debtor for over a decade. This means that the debtor has time to find love or settle into a steady job. Moreover, at this point, the debtor could afford the records.

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