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A Treat Williams

A Treat Williams

Treat Williams

Clients, prospects, and new hires come to me and ask me what I do. Sometimes they're curious, sometimes they're skeptical. And then there are times when someone's trying to figure out what I do that's different from the norm.

Treat Williams

Prolific actor Treat Williams went from early success on Broadway to starring roles in highly anticipated film projects before ultimately earning a reputation as a versatile performer capable of playing the hero, villain, or later in his career, sturdy father figure. After establishing a commanding screen presence with diverse performances in Milos Forman's underrated musical "Hair" (1979) and Sidney Lumet's superior cop drama "Prince of the City" (1981), Williams seemed poised to enter the ranks of A-list actors. However, a series of poor career choices and bad luck at the box office relegated him to made-for-television projects and low-budget thrillers for a number of years. There were occasional bright spots, such as a supporting role in Sergio Leone's massive gangster drama "Once Upon a Time in America" (1984) and a noteworthy turn as a crazy criminal in the thriller "Things to Do in Denver When You're Dead" (1995). On television Williams earned an Emmy nomination for his portrayal of agent Michael Ovitz in "The Late Shift" (HBO, 1996), and won acclaim as the lead of the drama series "Everwood" (The WB, 2002-06). Although cast more frequently in the role of patriarch at this point in his career, Williams had long since proven his versatility as one of the most dependable actors in Hollywood.

Richard Treat Williams was born in Rowayton, Connecticut, to Marian (Andrew), who dealt in antiques, and Richard Norman Williams, a corporate executive. Educated at prep-school, he first made a serious commitment to his craft during his days at Pennsylvania's Franklin and Marshall College. Working summers with the nearby Fulton Repertory Theatre at Lancaster in the heart of Amish country, Williams performed the classics as well as contemporary dramas and musicals. After graduating, Williams--whose first name, incidentally, is a family surname on his mother's side--headed for Manhattan where he understudied the Danny Zuko role in "Grease." After working in the The Andrews Sisters musical "Over Here," he made his film debut as a cop in Deadly Hero (1975), then returned to "Grease," this time in the starring role. While he took leaves for two small film roles, in The Ritz (1976) and The Eagle Has Landed (1976), it was his stage work in "Grease" that led to his cinematic breakthrough in Hair (1979). Spotted by director Milos Forman, Williams was asked to read for the role of Berger, the hippie. It took 13 auditions to land the part, but the film's release catapulted Williams into stardom. He then portrayed a GI on the make in Steven Spielberg's 1941 (1979) and starred in the romantic comedy Why Would I Lie? (1980) before tackling the role of Danny Ciello, the disillusioned New York City cop who blew the whistle on his corrupt colleagues in Sidney Lumet's Prince of the City (1981). He followed that with The Pursuit of D.B. Cooper (1981), in which he played the legendary plane hijacker who successfully eluded capture (by Robert Duvall); Flashpoint (1984), in which he and Kris Kristofferson starred as a pair of maverick border patrolmen who come upon a large cache of stolen money; Sergio Leone's Once Upon a Time in America (1984), in which he played a Jimmy Hoffa-like labor organizer; and Smooth Talk (1985), a screen adaptation of Joyce Carol Oates' short story, "Where Are You Going?" Television viewers have seen Williams in a prestigious pair of dramas, Dempsey (1983), a three-hour story of the hard-living heavyweight champ, and John Erman's adaptation of Tennessee Williams' classic "A Streetcar Named Desire," which pitted Williams' Stanley Kowalski against Ann-Margret's Blanche Dubois. Williams has also returned to Broadway sporadically -- first to appear in "Once in a Lifetime" while filming "Hair," and in 1981 to play the role of the pirate king in "The Pirates of Penzance." (Source: www.amazon.com)

 

 

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